E-Issue 01 –– AUH/DXB 
Summer/Fall 2020 
  1. Editor’s Note 
  2. What’s On in the UAE
  3. Pop(Corn): Hashel Al Lamki
  4. Tailoring in Abu Dhabi  
  5. Rapport: Dubai 
  6. Michael Rakowitz From the Diaspora
§§
    NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev 
    PAR Hottest Spices: Michèle Lamy
    BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”
   AUH Abu Dhabi Is The New Calabasas
++ 
    DXB Sa Tahanan Collective Redefines Home for Filipino Artists
   SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer
    AUH SEAF Cohort 7 at Warehouse 421 
    DXB 101 Strikes Again with Second Sale at Alserkal Avenue
    DXB Spotlight on Dubai Design Week 2020
    DXB Melehi’s Waves Complicate Waving Goodbye
    DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre
    DAM Investigating the Catalogues of the National Museum of Damascus
    AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE
    TYO James Jarvis Presents Latest Collages at 3110NZ
    DXB Do You See Me How I See You?
    DXB Thaely Kicks Off Sustainable Sneakers
    AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh
    MIA a_part Gives Artists 36 Hours to React

    UAE Tawahadna Introduces MENA Artists to a Global Community
    LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia
    DXB Taaboogah Infuses Comedy Into Khaleeji Menswear
    DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’
    DXB Alserkal Arts Foundation Presents Mohamed Melehi
    AUH/DXB 101 Pioneers Ethical and Curious Art Collecting
    AUH Sarah Almehairi Initiates Conversations
    DXB Augustine Paredes Taking Up Space
    LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism
    BEY GAD Map: Arts & Culture Relief for Beirut

E-Issues Info
––
    1. Mission
    2. Schedule

    3. Editorial Board
    4. Contributors
 
GAD Info ––
    1. About Global Art Daily
    2. Archive

GAD Talk Series ––
    1. What is GAD? 2015 to Now

    2. Where is GAD? An Open Coversation on Migration as Art Practitioners

    3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover
   4. Young Curators in Tokyo: The Making of The 5th Floor
    5. How To Create Digital Networks in The Art World?

Open Call ––
    Policy



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Mark



Arcana Mundi — Economy and Eccentricity



“Profuse strains of unpremeditated art.”
(Shelley)
                A rock is a perfect metaphor, an allegory in volume. When placed it’s sculptural limits beget a kind of artistic proposition — and when considered with reduced anthropomorphism and ungeologically — produce a ready-made analog to the causation and bounds of our attempts at the understanding of all things.

Here the sculptor has made no concessions; no attempts to curry favor with curators or collectors — pieces wholly outside discourse. And if pressed for an affiliate movement for these “sculptures” (i.e. Cubism, Mannerism, etc.)… perhaps Monism or Cosmogonism? Definitely not Conceptualism or Pataphysics — Actualism?

The analog? Well for sure it is 1:1. Weird; yes — a knot to be admired for it’s curves — not for untying. An emergent surface as thick as it’s mass. 
 
Were it possible for the instances of our minds or world events to be mapped and dimensionally materialized, something similar to a rock would appear — areas of smoothness yielding to pockmarked particularities, density shifts and feathered explosions. What really is the shape of a boom town? A pilgrim’s journey? A section of jungle mayhem? A boring era? The silhouette of a father’s cold slap? The contours of a brief, intense friendship? Comfortably we perceive all of these things as ready to be integrated into ledgers or novels or timelines; but really they are queer crags and striations of unimaginable idiosyncrasy.

So yes, the reflective, reasonable yield of our mind has much symmetry (computation, cataloguing, narrativizing, etc.) but it’s actual shape is no shape, but unfolding chaos and singularity visible only to our particular time-scale. Our species-wide symmetries and quantizations are basically improvisations white-labeled onto directionless infinitude attempting the constant creation of navigable Dimension.

So, look intimately at a rock, walk around it, get up close to it, savor it’s complexion and composition as you would any painting or temple and see it as the faultless mirror that it is — a truly perfect sculpture.



ABSTRACTION AND EMPIRICAL ILLUSTRATION
We live our lives made up of a great quantity of isolated instants. So as to be lost at the heart of a multitude of things. (From the Double Dream of Spring, 1970.)




  1. Gavrilo Princip’s last grocery list written
  2. The time that alligator ate that fish
  3. When the Yongzheng Emperor found that weird dust bunny under his throne
  4. The great earthquake of Alexandria
  1. The invention of expectation in literature
  2. When the heaviest cacao fruit fell in Takalik Abaj
  3. Animesh eats his first Fly Agaric mushroom