https://e-issues.globalartdaily.com Global Art Daily E-Issues Sun, 23 Apr 2023 10:12:56 +0000 https://e-issues.globalartdaily.com en https://e-issues.globalartdaily.com/Global-Art-Daily-E-Issues-Home Sat, 11 Dec 2021 08:22:40 +0000 Global Art Daily E-Issues https://e-issues.globalartdaily.com/Global-Art-Daily-E-Issues-Home <img width="5513" height="5513" width_o="5513" height_o="5513" data-src="https://freight.cargo.site/t/original/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" data-mid="172794410" border="0" data-scale="10" data-no-zoom="true" data-icon-mode src="https://freight.cargo.site/w/1000/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" /> <img width="3000" height="800" width_o="3000" height_o="800" data-src="https://freight.cargo.site/t/original/i/b54dac94f9c2bc740e672cdf789058099cd294c31d2e9caacd2854ea5309c560/Artboard-1globalartdaily-logo-text-only-e-issues.png" 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10:24:36 +0000 Global Art Daily E-Issues https://e-issues.globalartdaily.com/Legal Global Art Daily E-Issues Privacy Policy and Cookies Policy PRIVACY POLICYThis policy sets out: the information we collect about you when you visit our website, use our products or services, or otherwise interact with us; how we use, share, store, and secure the information; and how you may access and control the information. 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However, if you do so, you may not be able to access all or parts of our site. https://e-issues.globalartdaily.com/Newsletter Sat, 11 Dec 2021 06:20:49 +0000 Global Art Daily E-Issues https://e-issues.globalartdaily.com/Newsletter <img width="5513" height="5513" width_o="5513" height_o="5513" data-src="https://freight.cargo.site/t/original/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" data-mid="127117993" border="0" data-scale="10" data-no-zoom="true" data-icon-mode src="https://freight.cargo.site/w/1000/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" />Join Global Art Daily’s Inner CircleGet an update every time a new article is published, and be the first one to know about our upcoming GAD events, talks, and more. Be the first to know. We take privacy very seriously, and will never share your email with any third-party website without your consent and permission. You may opt out of our newsletter anytime.&nbsp; https://e-issues.globalartdaily.com/Thank-you-for-subscribing Sat, 11 Dec 2021 06:51:40 +0000 Global Art Daily E-Issues https://e-issues.globalartdaily.com/Thank-you-for-subscribing Thank you for subscribing! 🔗 back to Global Art Daily 🔗 follow us on Instagram https://e-issues.globalartdaily.com/GAD-Info-About-Global-Art-Daily Sun, 26 Jul 2020 05:20:12 +0000 Global Art Daily E-Issues https://e-issues.globalartdaily.com/GAD-Info-About-Global-Art-Daily <img width="5513" height="5513" width_o="5513" height_o="5513" data-src="https://freight.cargo.site/t/original/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" data-mid="176324672" border="0" data-scale="10" data-no-zoom="true" data-icon-mode src="https://freight.cargo.site/w/1000/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" />Global Art Daily E-Issues Info — About Global Art Daily is an independent publication dedicated to archiving the growing art scene of the Arabian Gulf, from a global perspective. Born as a blog in Abu Dhabi in 2015, we are today comprised of art critics spread throughout continents. Our contributors are both ‘cool-hunters’ and academically-inclined. They are globally-minded, often come from mixed cultural backgrounds themselves, and highlight artists and projects blurring national boundaries. We pride ourselves in archiving growing art scenes, as they emerge, and be a repository of artist interviews online, especially for Arab and Asian artists.&nbsp;Global Art Daily E-Issues are published twice a year, and are completely free to read and browse. Each E-Issue and their following ++ articles are made possible by an Editorial Board who volunteers their time and energy to archive art scenes of the different cities they find themselves in.&nbsp; E-Issue 01Summer 2020 AUH Abu Dhabi DXB Dubai E-Issue 04Spring 2022 IST Istanbul E-Issue 02Spring 2021 NYC New York E-Issue 05Fall 2022 VCE Venice E-Issue 03Fall 2021 TYO Tokyo E-Issue 06Spring 2023DXB Dubai SHJ Sharjah <img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ed313eac5dc580398144cd1338e2af08c1b62a19579866164f232db44c7f0906/GAD-e-issue-cover-20.001.jpeg" data-mid="171795820" border="0" src="https://freight.cargo.site/w/1000/i/ed313eac5dc580398144cd1338e2af08c1b62a19579866164f232db44c7f0906/GAD-e-issue-cover-20.001.jpeg" /> <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/c68ae3d3e789fb57b7cc5b7fb96a9c13e84370250306351eaa65dfed59631eb2/Lowres-GAD-e02-square.png" data-mid="171795863" border="0" src="https://freight.cargo.site/w/1000/i/c68ae3d3e789fb57b7cc5b7fb96a9c13e84370250306351eaa65dfed59631eb2/Lowres-GAD-e02-square.png" /> <img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/241641913fc65eaea500caaf190bd79333eb8dc64f62b61394fdd5b864e05c7f/GAD-e-issue-03-cover-FINALFINAL.001.jpeg" data-mid="171795881" border="0" src="https://freight.cargo.site/w/1000/i/241641913fc65eaea500caaf190bd79333eb8dc64f62b61394fdd5b864e05c7f/GAD-e-issue-03-cover-FINALFINAL.001.jpeg" /> <img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/18d0b75d9410864196081dddf9f700b4180d3339bed064ba244fe22ff140c8c8/GAD-e-issue-cover-4-FINALFINAL.001.jpeg" data-mid="171795889" border="0" src="https://freight.cargo.site/w/1000/i/18d0b75d9410864196081dddf9f700b4180d3339bed064ba244fe22ff140c8c8/GAD-e-issue-cover-4-FINALFINAL.001.jpeg" /> <img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/76459012e7f88aeb1925e4f737dc1eb4f821fee8470a730a4206b69745985ed0/GAD-e-issue-cover-05-FINALFINAL.001.jpeg" data-mid="171795677" border="0" src="https://freight.cargo.site/w/1000/i/76459012e7f88aeb1925e4f737dc1eb4f821fee8470a730a4206b69745985ed0/GAD-e-issue-cover-05-FINALFINAL.001.jpeg" /> <img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8a1da378e588bed7c2fe62180c199a7566df4f767924332105694e0d67cfd39b/GAD-e-issue-cover-06-final.001.jpeg" data-mid="176324686" border="0" src="https://freight.cargo.site/w/1000/i/8a1da378e588bed7c2fe62180c199a7566df4f767924332105694e0d67cfd39b/GAD-e-issue-cover-06-final.001.jpeg" /> Show your interest. Interested in our articles, and would like to know more about the artists featured? Share your email address below. Follow us on Instagram Your weekly dose of art news, exhibition listings, and artworks spotlight centered on our home base of the United Arab Emirates. ︎ 🔗 Meet our Editorial Board 🔗 Meet our ContributorsSince 2015, we have interviewed artists and dug deeper inside cultural scenes of 20+ different cities.&nbsp;🔗 Selected archive In 2018, we published two bilingual issues of GAD Magazine in Tokyo, Japan. Selected stockists included Artbook @ MoMA PS1, Tsutaya T-Site Daikanyama, The Third Line Gallery Bookstore, and ISLA Berlin. &nbsp; <img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/c380f64df03afcfc0e299ce8340d4b3578e57c32fa79bd2899d4b4e2f444ad04/GAD-NEWCOVERISSUE01.jpg" data-mid="78356381" border="0" src="https://freight.cargo.site/w/1000/i/c380f64df03afcfc0e299ce8340d4b3578e57c32fa79bd2899d4b4e2f444ad04/GAD-NEWCOVERISSUE01.jpg" /> <img width="868" height="1228" width_o="868" height_o="1228" data-src="https://freight.cargo.site/t/original/i/6fdcd9a0b45fd3cacc73932b8933f572ebba2ff8c7e1951c19754327d4e62256/GADISSUE02.png" data-mid="78356382" border="0" src="https://freight.cargo.site/w/868/i/6fdcd9a0b45fd3cacc73932b8933f572ebba2ff8c7e1951c19754327d4e62256/GADISSUE02.png" /> GAD Magazine Issue 01Street FuturesSpring 2018, Printed in Japan. GAD Magazine Issue 02All Girls Are SpicyFall 2018, Printed in Japan.View PDF 🔗 Read more about our E-Issues Mission 🔗 Keep up-to-date with our E-Issues Schedule https://e-issues.globalartdaily.com/E-Issues-Info-Mission Thu, 23 Jul 2020 16:05:22 +0000 Global Art Daily E-Issues https://e-issues.globalartdaily.com/E-Issues-Info-Mission <img width="5513" height="5513" width_o="5513" height_o="5513" data-src="https://freight.cargo.site/t/original/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" data-mid="127117566" border="0" data-scale="10" data-no-zoom="true" data-icon-mode src="https://freight.cargo.site/w/1000/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" />Global Art Daily E-Issues Info — Mission E-Issues is Global Art Daily’s vehicle for amplifying local voices from the global art world, with a special focus on our home region of the Arabian Gulf. Every E-Issue will focus on a specific city or cluster of cities (e.g. AUH/DXB), and will highlight people and institutions that make up its local creative scene.&nbsp;Geographical Reach We are global in essence, welcoming submissions from around the world. We place however special attention to our home region of the Gulf, and our country of founding: the United Arab Emirates. Our readership spans the Gulf, the U.S., the U.K, and Japan.Mission We understand travel might be reserved for the few. We hope our E-Issues will allow readers to travel continents and understand the cultural climate of different cities from the inside out.Our goal is to present to our readers a cultural portrait of a city that they may not be able to Google. We do this through in-depth interviews with local artists and curators. Our Editorial Board invites artists for interviews and discusses at length their different experiences relevant to their specific art scene. Our recurring sections are What’s On, Pop(Corn), and Rapport.&nbsp; Because of their digital format, we consider E-Issues as living documents open to amendments and changes post-publication. We will not remove an article after it is published, but we might add new articles to an E-Issue (e.g. E-Issue 01 ++) after its publication.Network Global Art Daily is young in essence: we privilege young contributors and young editors, and we pride ourselves to be the first publication where many writers in the region published their first exhibition reviews or artist interviews. We place very high importance on mentorship and creating an engaging learning environment for all of our contributors globally. We aim to be a platform for artists, curators, musicians, fashion designers, stylists, art directors, musicians, content creators, and other creatives alike to speak about their own environments. We seek genuine and long-lasting relationships between our contributors, readers, and the artists and institutions supporting us. Welcome to the (rest of the) world.<img width="5513" height="5513" width_o="5513" height_o="5513" data-src="https://freight.cargo.site/t/original/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" data-mid="78356829" border="0" data-scale="11" data-icon-mode src="https://freight.cargo.site/w/1000/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" />Global Art Daily&nbsp;E-Issues is made possible thanks to ad-honorem staff writers, content creators, and editors based between Asia, the Middle East, Europe, and the U.S. To support our mission or collaborate on a specific project, please reach out to our team via info@globalartdaily.com.&nbsp;&nbsp; https://e-issues.globalartdaily.com/E-Issues-Info-Schedule Tue, 05 Jan 2021 17:01:22 +0000 Global Art Daily E-Issues https://e-issues.globalartdaily.com/E-Issues-Info-Schedule <img width="5513" height="5513" width_o="5513" height_o="5513" data-src="https://freight.cargo.site/t/original/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" data-mid="94030998" border="0" data-scale="10" data-no-zoom="true" data-icon-mode src="https://freight.cargo.site/w/1000/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" />Global Art Daily E-Issues Info — Calendar Global Art Daily’s E-Issues are published twice a year.&nbsp; 2020-2021 The First E-Issues&nbsp; E-Issue 01 AUH/DXB Abu Dhabi/Dubai Summer/Fall 2020 <img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ed313eac5dc580398144cd1338e2af08c1b62a19579866164f232db44c7f0906/GAD-e-issue-cover-20.001.jpeg" data-mid="176043162" border="0" data-scale="14" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/1000/i/ed313eac5dc580398144cd1338e2af08c1b62a19579866164f232db44c7f0906/GAD-e-issue-cover-20.001.jpeg" /> E-Issue 02 NYC New York City Winter/Spring 2020-21 <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/4fa756f08824a423bea9d3bf8d123a3ba87a64f529f0ddff179746fe7eb80e6e/Lowres-GAD-e02-square.png" data-mid="176043139" border="0" data-scale="14" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/1000/i/4fa756f08824a423bea9d3bf8d123a3ba87a64f529f0ddff179746fe7eb80e6e/Lowres-GAD-e02-square.png" /> E-Issue 03 TYO Tokyo Summer/Fall 2021 <img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/241641913fc65eaea500caaf190bd79333eb8dc64f62b61394fdd5b864e05c7f/GAD-e-issue-03-cover-FINALFINAL.001.jpeg" data-mid="176043059" border="0" data-scale="14" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/1000/i/241641913fc65eaea500caaf190bd79333eb8dc64f62b61394fdd5b864e05c7f/GAD-e-issue-03-cover-FINALFINAL.001.jpeg" /> 2022-2023 Opening Doors E-Issue 04 IST Istanbul Spring/Summer 2022 <img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/18d0b75d9410864196081dddf9f700b4180d3339bed064ba244fe22ff140c8c8/GAD-e-issue-cover-4-FINALFINAL.001.jpeg" data-mid="176042958" border="0" data-scale="14" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/1000/i/18d0b75d9410864196081dddf9f700b4180d3339bed064ba244fe22ff140c8c8/GAD-e-issue-cover-4-FINALFINAL.001.jpeg" /> E-Issue 05 VCE&nbsp;Venice Fall/Winter 2022-23 <img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/76459012e7f88aeb1925e4f737dc1eb4f821fee8470a730a4206b69745985ed0/GAD-e-issue-cover-05-FINALFINAL.001.jpeg" data-mid="176042915" border="0" data-scale="14" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/1000/i/76459012e7f88aeb1925e4f737dc1eb4f821fee8470a730a4206b69745985ed0/GAD-e-issue-cover-05-FINALFINAL.001.jpeg" /> 2023-2024 Coming Home E-Issue 06&nbsp;DXB/SHJ Dubai/Sharjah Spring 2023 <img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8a1da378e588bed7c2fe62180c199a7566df4f767924332105694e0d67cfd39b/GAD-e-issue-cover-06-final.001.jpeg" data-mid="176042896" border="0" data-scale="14" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/1000/i/8a1da378e588bed7c2fe62180c199a7566df4f767924332105694e0d67cfd39b/GAD-e-issue-cover-06-final.001.jpeg" /> E-Issue 07 AUH Abu Dhabi Winter 2023-24 2024-2025 New Horizons E-Issue 08 ICN Seoul Spring-Summer 2024 E-Issue 09 RUH Riyadh Fall 2024To contribute articles and pitch features to GAD’s E-Issues, please visit our Open Call policy. https://e-issues.globalartdaily.com/E-Issues-Info-Editorial-Board Thu, 23 Jul 2020 16:06:29 +0000 Global Art Daily E-Issues https://e-issues.globalartdaily.com/E-Issues-Info-Editorial-Board <img width="5513" height="5513" width_o="5513" height_o="5513" data-src="https://freight.cargo.site/t/original/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" data-mid="127117703" border="0" data-scale="10" data-no-zoom="true" data-icon-mode src="https://freight.cargo.site/w/1000/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" />Global Art Daily E-Issues Info — Editorial Board Current Editorial Board&nbsp; Founding Editor <img width="1146" height="1352" width_o="1146" height_o="1352" data-src="https://freight.cargo.site/t/original/i/05af45ad69dda7bcc466f9279284d0cc3fc2366b0af9dee5c8e8c7c0ed5bbe57/Screen-Shot-2026-02-18-at-4.37.18-AM.png" data-mid="244941923" border="0" src="https://freight.cargo.site/w/1000/i/05af45ad69dda7bcc466f9279284d0cc3fc2366b0af9dee5c8e8c7c0ed5bbe57/Screen-Shot-2026-02-18-at-4.37.18-AM.png" /> Sophie Mayuko Arni Founder, Editor-in-Chief (2020-present) Based in: Abu Dhabi-Tokyo Sophie Mayuko Arni is a Swiss-Japanese curator and editor based between the Gulf and Japan, working across site-specific installations, public art, and digital publishing. She is the Founding Editor of Global Art Daily, a platform overseeing the publication of biannual E-Issues archiving the Gulfʼs contemporary art scenes in a global context. In parallel to her editorial activities, her curatorial work aims to connect inter-Asian geographies with shared visions of nostalgia, futurism, and ecology. She was the Guest Curator of the Art Here 2025 Richard Mille Art Prize at the Louvre Abu Dhabi and is the Co-Curator of the National Pavilion of Uzbekistan at the 61st Venice Biennale. She graduated with a B.A. in Art &amp; Art History from NYU Abu Dhabi and with an MPhil in Arts Studies and Curatorial Practices from Tokyo University of the Arts. Managing Editor <img width="1920" height="2560" width_o="1920" height_o="2560" data-src="https://freight.cargo.site/t/original/i/44847291cf7f1cc0d245c1c4e37605d719bd1bf1c25d7b9e7447be08f86b4424/telegram-cloud-photo-size-1-5131940054606482423-w.jpg" data-mid="244941917" border="0" src="https://freight.cargo.site/w/1000/i/44847291cf7f1cc0d245c1c4e37605d719bd1bf1c25d7b9e7447be08f86b4424/telegram-cloud-photo-size-1-5131940054606482423-w.jpg" /> Pauline Iakubova Managing Editor (2026-present) Based in: Abu Dhabi-London Pauline Iakubova is a writer and researcher from Moscow, Russia. She studies Art History and Legal Studies at New York University Abu Dhabi. Her transdisciplinary practice includes art historical research, writing, curating, and visual arts. She worked as a Curatorial and Research Assistant at galleries in Moscow and Abu Dhabi and is also a Managing Editor at The Gazelle, NYU Abu Dhabi’s independent student newspaper.Features Editor <img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/14f7ea959579a0338ddf40a21da9ce9139ea11804c890ad4da6765864ecb4f74/c3ff4576-e671-4eb0-9327-87fe3551c265.JPG" data-mid="244967730" border="0" src="https://freight.cargo.site/w/1000/i/14f7ea959579a0338ddf40a21da9ce9139ea11804c890ad4da6765864ecb4f74/c3ff4576-e671-4eb0-9327-87fe3551c265.JPG" /> Zeinab Helal Contributing Editor (2026-present) Based in: Abu Dhabi Zeinab Helal is a Canadian, Egyptian, Filipino student studying English Literature and Art &amp; Art History at NYU Abu Dhabi. Drawing from a densely layered cultural background, her work explores how meaning is negotiated between Western pop culture and various mixed-media artistic practices within diasporic contexts. She is particularly interested in questions of hybridity, representation, and the politics of taste as they surface across both contemporary visual culture and through literature. Currently serving as Deputy Columns Editor at The Gazelle, Zeinab works closely with writers to shape critical, accessible commentary on media, and the arts.Graphics Editor <img width="960" height="961" width_o="960" height_o="961" data-src="https://freight.cargo.site/t/original/i/41231c2df59dfbd1a5573400ea51cbf5349b0088637ad74a025293e435a3b230/IMG_20260210_145929.jpg" data-mid="244941489" border="0" src="https://freight.cargo.site/w/960/i/41231c2df59dfbd1a5573400ea51cbf5349b0088637ad74a025293e435a3b230/IMG_20260210_145929.jpg" />Aisha El Asmar Graphics Editor (2026-present) Based in: Abu Dhabi Aisha El Asmar is a Palestinian-Filipino student at NYU Abu Dhabi, majoring in Business, Organizations, and Society and Art &amp; Art History. Raised and based in Abu Dhabi, her personal identity and experiences influence her creative outputs. As Graphics Editor at Global Art Daily, Aisha aims to bridge the gap between commercial design and editorial storytelling to carry the artistic spirit that each artwork, exhibition, and installation carries. Past Editorial Board Senior Editor&nbsp; <img width="2642" height="2642" width_o="2642" height_o="2642" data-src="https://freight.cargo.site/t/original/i/cce43226fd490362e417b52cf98b52f441ff47092b6779b9414dd4c44c0b6bcf/IMG_3290.JPG" data-mid="107938344" border="0" src="https://freight.cargo.site/w/1000/i/cce43226fd490362e417b52cf98b52f441ff47092b6779b9414dd4c44c0b6bcf/IMG_3290.JPG" />Insun Woo Contributing Editor (2021-22)Senior Editor (2022-23) Based in: Dubai-SeoulInsun Woo is a communications specialist, writer, researcher, and Art History graduate from NYU Abu Dhabi. Her life experience of growing up in cities across the world—from London, Sofia, Seoul, Moscow, and Osaka to Abu Dhabi, New York, and Istanbul—as an East Asian woman informs her present-day interest in art that explores and works with urban culture and history, memory studies, feminist thought, and the history of modern Korea. As an editor at Global Art Daily, Insun is interested in fostering dialogue between the art scenes of South Korea and the UAE, as exemplified by GAD E-Issue 08 on Seoul’s art scene. Contributing Editor<img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/57d72acdcc5b493be668751cec2f176d5956d1f34b1461b730693504cb5c0fb2/WhatsApp-Image-2023-09-21-at-10.31.56.jpeg" data-mid="193468043" border="0" src="https://freight.cargo.site/w/1000/i/57d72acdcc5b493be668751cec2f176d5956d1f34b1461b730693504cb5c0fb2/WhatsApp-Image-2023-09-21-at-10.31.56.jpeg" /> Susanne NiemannContributing Editor (2021-24) Based in: Abu DhabiSusanne Niemann is a research fellow at NYU Abu Dhabi with an interest in urban and environmental narratives in the Gulf in contemporary art and culture. Susanne worked as a gallery assistant with an Italian gallery, and as a cultural programmer and researcher with educational and ethnographic projects in the UAE and Germany. She studied Media and Anthropology at NYU Abu Dhabi. Senior Editor<img width="1058" height="1070" width_o="1058" height_o="1070" data-src="https://freight.cargo.site/t/original/i/5fe98cbccecd92966452ea059082e38ab923508180f354a9ed549041ee7aad80/Profile-Pic.jpg" data-mid="108230967" border="0" src="https://freight.cargo.site/w/1000/i/5fe98cbccecd92966452ea059082e38ab923508180f354a9ed549041ee7aad80/Profile-Pic.jpg" /> NiccolòAcram CappellettoSenior Editor (2021-23) Based in: Abu Dhabi-VeniceNiccolòAcram Cappelletto is a Postgraduate Research Fellow at NYU Abu Dhabi based in Treviso and Abu Dhabi. After completing his B.A. in Art History with specialisations in Political Science and Heritage Studies, he is conducting research on the connections between heritage and contemporary art in the context of postcolonial Italy. Recently, he collaborated on the Paris Bible Project with NYUAD and the Louvre Abu Dhabi on the study of bible manuscripts from the XIII century. Niccolò worked as a gallery and curatorial assistant with galleries in Venice, Paris, and Abu Dhabi. Interested in decolonial and demodernising practices, he believes in the need to translate into an accessible practice the heavy theoretical frameworks of the present. Contributing Editor<img width="1416" height="1416" width_o="1416" height_o="1416" data-src="https://freight.cargo.site/t/original/i/23458488d44ab8f369ae4b305ddc6ed75cb26fdee6154a28b8639b2f83e6cf24/unnamed-16.jpeg" data-mid="154264347" border="0" src="https://freight.cargo.site/w/1000/i/23458488d44ab8f369ae4b305ddc6ed75cb26fdee6154a28b8639b2f83e6cf24/unnamed-16.jpeg" /> Amy Qian Editor (2022-23) Based in: Abu Dhabi-ShanghaiAmy Qian is from Wuxi, China. She is a third-year student studying Art &amp; Art History at NYU Abu Dhabi. Amy has worked as a gallery assistant with galleries from Shanghai, Bergamo, Kampala, and Dubai. She has also curated the exhibition territories of bodies for NYU Abu Dhabi’s Arts Proxy Program in 2022. She studied East Asian Art and Chinese Film at New York University, and is currently a Curatorial Assistant at NYUAD Art Gallery. Contributing Editor <img width="1032" height="1032" width_o="1032" height_o="1032" data-src="https://freight.cargo.site/t/original/i/5c7ddfddde0675f8aac7cebe1212afc885069171742959865bf6212f5faf73b6/wu-1.jpg" data-mid="107937995" border="0" src="https://freight.cargo.site/w/1000/i/5c7ddfddde0675f8aac7cebe1212afc885069171742959865bf6212f5faf73b6/wu-1.jpg" /> Sherry Wu Editor (2021-22)Based in: Abu Dhabi-BeijingSherry Wu (Yongyi) is an artist and curator based in Beijing and Abu Dhabi. A recent graduate of NYU Abu Dhabi, she studied&nbsp;Art &amp; Art History&nbsp;with a concentration in&nbsp;East Asian&nbsp;Art History,&nbsp;more specifically in the&nbsp;history&nbsp;of aestheticizing Japanese tea ceremonies.&nbsp;Wu's practice is transdisciplinary, and includes art historical research, curating, graphic design, as well as film and new media.&nbsp;Wu designed the&nbsp;official&nbsp;hoodie for NYU Abu Dhabi Class of 2021 and she was the&nbsp;Director of Photography&nbsp;for the feature film The Good Woman of Sichuan (2020) directed by Sabrina Zhao. As a curator, she curated the section "Re: jection-flection-born" of the virtual exhibition Hyphenated Spaces: “The Cup and The Saucer” Reinterpreted hosted by Warehouse421, Abu Dhabi. She is interested in all forms of art and has an insatiable desire for originality and auteurism. Managing Editor <img width="1275" height="1275" width_o="1275" height_o="1275" data-src="https://freight.cargo.site/t/original/i/2c23b90a80920837c4cd936334cdb4fcd574c77c831e7f630aafd4b76553ba82/70514312_10220286102487805_6913379917434454016_o.jpeg" data-mid="78612195" border="0" src="https://freight.cargo.site/w/1000/i/2c23b90a80920837c4cd936334cdb4fcd574c77c831e7f630aafd4b76553ba82/70514312_10220286102487805_6913379917434454016_o.jpeg" /> Daniel H. Rey Managing Editor (2020-21) Based in: Abu Dhabi-DubaiDaniel H. Rey is a Paraguayan-Colombian curator based in the United Arab Emirates. He is interested in contemporary art, radio, and artistic exchanges in the Global South. Daniel has recently curated WAW - we are wondering at Dubai's maisan15 and commissioned within the Jameel Youth Takeover. Currently working at Jameel Arts Centre, he was previously part of the audience experience team behind the Engage 101 art collecting platform and working on the term #YouthCuratingYouth. Daniel was trained in the visual and performing arts in Norway, Germany, the USA, and the Emirates. He has joined initiatives presented with the Guggenheim Abu Dhabi project, Warehouse421, Abu Dhabi Art, Jameel Arts Centre, and Alserkal Avenue. Daniel is a pioneer of microtheater in Abu Dhabi and formerly hosted Jangueo, the city’s only radio show in Spanish via NYU Abu Dhabi's Howler Radio. He graduated from NYU Abu Dhabi with a double B.A. in Theater and Social Research/Public Policy.Editor-at-Large, Marketing Director <img width="1129" height="1129" width_o="1129" height_o="1129" data-src="https://freight.cargo.site/t/original/i/d5cd631b21be814394b115202e122502498d452c26eab074e36f4090a80c0290/Screen-Shot-2020-07-29-at-3.55.42-PM.jpeg" data-mid="78612194" border="0" src="https://freight.cargo.site/w/1000/i/d5cd631b21be814394b115202e122502498d452c26eab074e36f4090a80c0290/Screen-Shot-2020-07-29-at-3.55.42-PM.jpeg" /> Ev Zverev Editor-at-Large, Marketing Director (2018-21) Based in: New York City Ev Zverev is a Russian filmmaker and photographer based in New York City. He was trained in visual storytelling and graduated from NYU Abu Dhabi with a B.A. in Film and New Media. He also happens to be fluent in Russian, English, and Arabic. His short films include Toothbrush (2016), Monster (2015), and Aphasia (2015) which was shortlisted at the Abu Dhabi Science Imagine Festival (2016). Fun fact: ‘Ev’ in Japanese means artist-samurai and it is pronounced like EV-erything. Senior Opinion Editor,Copy Editor<img width="1442" height="1442" width_o="1442" height_o="1442" data-src="https://freight.cargo.site/t/original/i/75ae3cea95ecec654984cf938a2f66978ce3cfd39842a9731bc242814a3e48d1/23926368_386837368402929_4271095067813700286_o.jpeg" data-mid="78612197" border="0" src="https://freight.cargo.site/w/1000/i/75ae3cea95ecec654984cf938a2f66978ce3cfd39842a9731bc242814a3e48d1/23926368_386837368402929_4271095067813700286_o.jpeg" /> Ashraf Mohiy Senior Opinion Editor, Copy Editor (2020-21)Based in: New York City-London Ashraf Mohiy is a Swiss-Egyptian doctoral candidate at Columbia University, whose work centers around the emergence of ‘smart cities’ and ‘e-government.’ He has spent the past few years working as an exhibition planner for a Paris-based cultural consulting firm on a number of different museum projects centered around the MENA region.Design Collaborator <img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/416bff7c52a5a7c24b3b2f91f454987957cf34d396fcbcfc5f882b293f7a79a3/IMG_9188.JPG" data-mid="82752431" border="0" src="https://freight.cargo.site/w/750/i/416bff7c52a5a7c24b3b2f91f454987957cf34d396fcbcfc5f882b293f7a79a3/IMG_9188.JPG" /> Amina Yahia Design Collaborator (2020-21)Based in: Abu Dhabi-CairoAmina Yahia is an Egyptian visual artist and designer based in Abu Dhabi. Born and raised in Cairo, her artworks explore womanhood at large and recently focus on how Egyptian women are portrayed. A painter and illustrator by practice, Amina’s interests are now turning to filmmaking and art history. She has lately supported interior and graphic design projects across the MENA region and is currently a fourth-year student at NYU Abu Dhabi. https://e-issues.globalartdaily.com/E-Issues-Info-Contributors Thu, 23 Jul 2020 16:09:33 +0000 Global Art Daily E-Issues https://e-issues.globalartdaily.com/E-Issues-Info-Contributors <img width="5513" height="5513" width_o="5513" height_o="5513" data-src="https://freight.cargo.site/t/original/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" data-mid="127117635" border="0" data-scale="10" data-no-zoom="true" data-icon-mode src="https://freight.cargo.site/w/1000/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" />Global Art Daily E-Issues Info — Contributors The following writers have contributed to Global Art Daily from 2015 to today.In alphabetical order: *Some biographies might be outdated.Zeina Abedarbo, DXBZeina Abedarbo is based in Dubai and currently works at Gallery Isabelle van den Eynde. She studied at Central Saint Martins and has an Art History degree from the University of Brighton. She is interested in the role of contemporary practice and film making at the intersection of aesthetics and cultural anthropology. Larayb Abrar, DXBLarayb Abrar is an arts journalist, cultural critic, and hip-hop fan based in Abu Dhabi. She graduated from NYU Abu Dhabi with a major in Literature and Creative Writing, and minors in Social Research and Public Policy and French Language. Sarah Afaneh, DXBSarah Afaneh is a UAE-based artist and writer who recently participated in “After the Beep” at Satellite, Alserkal Avenue. Farah Fawzi Ali, DXBFarah Fawzi Ali is a Filipina-Egyptian researcher and writer based in the United Arab Emirates with a B.A. in Political Science from The American University in Cairo. She is a member of the third iteration of The Assembly at Jameel Arts Centre. Nada Ammagui, AUH/DCANada Ammagui is a Research Associate (politics, society, and culture) at the Arab Gulf States Institute in Washington D.C. and currently a first-year MA student in Arab Studies at Georgetown University.&nbsp;She was previously a Postgraduate Research Fellow in the Arts &amp; Humanities at NYU Abu Dhabi conducting research on histories of cultural institutions and contemporary art in Sharjah, UAE. She employs interdisciplinary methods, ranging from ethnography and archival exploration to data analysis and digital mapping, to examine the spatial and temporal dimensions of Sharjah’s art scene. Nada graduated from NYU Abu Dhabi with a B.A. in Arab Crossroads Studies and a minor in Art History. Christian Barberena, LAXChristian Barberena is a stylist based in Los Angeles. His past experience includes being assisting Beyonce’s Black is King’s styling team, and co-styling Chloe x Halle, amongst co-styling other published editorial work. Christopher Benton, DXB/BOSChristopher Benton is a UAE-based artist and advertising creative director working across photography, film, and installation art. Past work has been presented at museums and institutions across the Middle East, including Alserkal Avenue, the Fikra Graphic Design Biennial, and Jameel Arts Centre. He is currently pursuing his MS in Art, Culture, and Technology at the Massachusetts Institute of Technology. Anna Bernice, DXB/BLNAnna Bernice is an independent arts and culture writer, culture researcher and curator based in Dubai, contributing to platforms such as Vice Arabia and Global Art Daily. She’s the co-founder of Sa Tahanan Collective, a UAE-based Filipino art collective dedicated to creating an inclusive artistic platform for Filipino artists in the Gulf. Emília Vieira Branco, AUHEmília Vieira Branco studies Theater and History at NYU Abu Dhabi. Athoub N. Al Busaily, DXBAthoub N. Al Busaily a Kuwaiti artist currently living in Abu Dhabi. In her work, she investigates the notion of borders, hunting, and the desert environment of Kuwait, often underlined by a tone of irony and the use of visual metaphors. She is currently completing an MA in Art History and Museum Studies at Sorbonne University Abu Dhabi.Blair Cannon, LAXBlair Cannon is a stylist based in Los Angeles, who has served as Creative Coordinator for Beyonce’s Black is King visual album. Blair’s clients include DVF, Levi's, Khaite, Cadillac and Rockstar, as well as styling starlets such as Chloe x Halle, Audrey Nuna, and Yumi Ni. Her editorial work has been published in magazines V, Puss Puss, Office, Wonderland and Paper among others. Sarah Daher, DXB/LHRSarah Daher is a Lebanese curator, researcher, and writer who graduated with a BA in Theater and Economics from New York University Abu Dhabi and recently completed her Masters in Curating Contemporary Art at the Royal College of Art in London. She is a regular contributor to Global Art Daily and co-hosts the Khosh Bosh podcast.Veronica Hernandez, SHA Veronica Hernandez was born and raised in Southwest Florida. In middle school, she discovered her love for studying Chinese and art history. After years of self-study and some courses in high school, she joined the inaugural class at New York University Shanghai to major in Global China Studies and to minor in Art History. She is now spending her junior year abroad, first in Buenos Aires then in Florence. In the spirit of Global Art Daily, she has worked in several galleries and other art institutions across three continents and travels extensively to see new art and attend art fairs. Ji Young Kim, RAKJi Young graduated with a B.A. in Arab Crossroads Studies from NYU Abu Dhabi where she studied the Arabic language and conducted research on development of Emirati youth subcultures in Abu Dhabi. Currently, she is working in the norther emirate of Ras Al Khaimah as an Events Specialist.Tiffany Liu,&nbsp;NYCTiffany Liu was born in the suburbs of Atlanta, USA. Growing up, Tiffany partook in many activities, one being drawing and painting. Art became her preferred mode of communication and is how Tiffany makes sense of society, politics, and her innermost thoughts. Tiffany is a graduate from the NYU’s Gallatin School of Individualized Studies with a concentration titled "Reimagining Contemporary Art History" focusing on 21st Century Artists and Social Change, incorporating art history with a sociological, philosophical, and political framework. In 2016, she interned under Roselee Goldberg's mentorship at PERFORMA and has, in the past years, been closely working with Afro-Asian art collective BUFU and more specifically with NYC-based Yellow Jacket Collective. She is currently working on her own artistic practice with a focus on performance art. Harmehar Maini,&nbsp;IXJ Harmehar Maini is an aspiring curator and art writer born in Jammu, Jammu and Kashmir, India. After completing her Bachelors from OP Jindal Global University, in Global Affairs, she shortly shifted to UAE to pursue arts and real estate. She has worked with Indian Art Fair, Art Dubai and Devi Art Foundation. She is an avid believer that art can connect to any and every element on the face of the earth be it real estate or politics. Natalia Sosa Molina, BAI Natalia Sosa Molina&nbsp;(Naiting So Mo) is an Argentinian textile and clothing designer who graduated from the University of Buenos Aires. She defines herself as a ‘de facto’ curator and art producer. In 2015, she co-founded Chien Noir, a contemporary art gallery together with her partner Luca Decker. The gallery, located in Buenos Aires, focuses on digital art, new media, and audiovisual formats. Chien Noir has organized a number of artist residencies. Natalia specializes in recruiting young emerging artists and works with them in the construction of exhibitions. Johann C. Muñoz, MIAJohann C. Muñoz was born in Bogotá, Colombia and is based in Miami, FL. Throughout his career, he has worked on a series of collaborative projects, including DOMESTIC (2019) and Concerto on the River in Washington, D.C. (2019). Exhibitions include Miami Zine Fair (2019), Activist Small Press Fair at Exile Books (2018), 23rd International Biennial in Gabrovo, Bulgaria (2017). Akimi Ota, TYOAkimi Ota is an anthropologist, filmmaker, and director based in Tokyo. While completing his PhD in Visual Anthropology from the University of Manchester, he conduct a year-long fieldwork in the Amazonian rainforest in Ecuador and Peru. In 2020, he completed his first feature-length documentary film, titled “Kanarta: Alive in Dreams”. Alsace Patrone, BAI/NYC Alsace Patrone was born and raised in the Bay Area, California. She is pursuing a Global Liberal Studies major concentrating in Contemporary Culture and Creative Production and a Social Work minor at New York University. Her artistic experience is rooted in her roles as a sports and fashion photographer (Prep2Prep, WSN) and as a docent and textile conservation assistant at NYU’s Villa La Pietra in Florence. Through her travel and academic study, she continues to grow upon personal interest in museum curation and interactive art. She looks forward to combining her personal and professional interests in ever-increasingly creative and global ways. Alessia Piacitelli, AUH/DXBAlessia is an Italian and Russian student at New York University Abu Dhabi where she studies Art History and Economics. She was raised in Russia where she studied Academic Art and Design. Alessia is very interested in the development of the art market in the UAE and she currently interning for Carbon 12 gallery and pursuing a Student Assistantship for NYUAD Art Gallery. Julia Saubier, PEK Julia Saubier is a Filipina-French film producer currently based in Beijing. She has written, directed, and produced several short films including the world's first interactive live-action narrative short Two Strangers Meet in a Bar&nbsp;(2015) and Remnants of the Hive&nbsp;(2017), which was selected to premiere at the Cannes Film Festival. She graduated with a degree in Social Research and Public Policy and Film and New Media Production from NYU Abu Dhabi, and is currently pursuing a Masters in Chinese Cinema and Economics at Peking University. &nbsp; Sala Shaker, LHRSala Shaker is an art publicist based in London. She graduated from NYU Abu Dhabi and has previously worked for the 1-54 Contemporary African Art Fair. Hanan Sultan, LHRHanan Sultan is a jewelry designer based between Muscat, Dubai and London, who has previously participated in student collaborative projects with the British Art Medal Society, Cartier, Louis Vuitton, Swarovski and Vitsœ. She graduated with a B.A. in Jewelry Design from Central Saint Martins and is currently pursuing her MA in Jewelry and Metal at the Royal College of Art. https://e-issues.globalartdaily.com/E-Issues-Info-Contact Sun, 23 Apr 2023 10:12:56 +0000 Global Art Daily E-Issues https://e-issues.globalartdaily.com/E-Issues-Info-Contact <img width="5513" height="5513" width_o="5513" height_o="5513" data-src="https://freight.cargo.site/t/original/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" data-mid="176324714" border="0" data-scale="10" data-no-zoom="true" data-icon-mode src="https://freight.cargo.site/w/1000/i/0c6921dd0b28baf15bdf6bba5ba61b9c195f4aede4f2f1f108d11812678ebb29/gad-logo-black-stripped-vector-2.png" />Global Art Daily E-Issues Info — Contact For article pitches: info@globalartdaily.com with subject line "Open Call Submission" For reproductions (print or digital, in-full or in-part):&nbsp;info@globalartdaily.com&nbsp; Please include the link to the original Global Art Daily article you would like to reproduce. 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