📘 E-Issue 05 ––VCE Fall 2022
  1. Editor’s Note
  2. What’s On in VCE
  3. Pop(Corn): UAE National Pavilion
  4. Rapport: Venice
  5. Zeitgeist of our Time: Füsun Onur for the Turkish Pavilion at the 59th Venice Biennale
  6. GAD’s Top Picks: National Pavilions
  7. Strangers to the Museum Wall: Kehinde Wiley’s Venice Exhibition Speaks of Violence and Portraiture
  8. Questioning Everyday Life: Alluvium by Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian at OGR Torino in Venice

📒 E-Issue 04 ––IST Spring 2022
  1. Editor’s Note
  2. What’s On in IST
  3. Pop(Corn): Refik Anadol
  4. Rapport: Istanbul
  5. Independent Spaces in Istanbul: Sarp Özer on Operating AVTO

E-04++ Spring/Summer 2022
Creating an Artist Books Library in Istanbul: Aslı Özdoyuran on BAS
How Pearl Lam Built Her Gallery Between China and Europe
What’s On in the UAE: Our Top Summer Picks
DXB Art Jameel Joins The World Weather Network in a Groundbreaking Response to Global Climate Crisis
DXB “Geometry is Everywhere”: An Interview and Walking Tour of Order of Magnitude, Jitish Kallat’s Solo Exhibition at Dubai’s Ishara Art Foundation
“We Are Witnessing History”: Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian On Their Retrospective Exhibition at NYU Abu Dhabi Art Gallery
 Istanbul’s 5533 Presents Nazlı Khoshkhabar’s “Around and Round”
HK Startbahn Presents “Made in Japan 3.0: Defining a New Phy-gital Reality”, an NFT Pop-Up at K11 Art Mall
DXB Dubai's Postmodern Architecture: Constructing the Future with 3dr Models
📘 E-Issue 03 –– TYO Fall 2021
  1. Editor’s Note
  2. What’s On in TYO
  3. Pop(Corn): Nimyu
  4. Ahmad The Japanese: Bady Dalloul on Japan and Belonging
  5. Rapport: Tokyo 
  6. Alexandre Taalba Redefines Virtuality at The 5th Floor
  7. Imagining Distant Ecologies in Hypersonic Tokyo: A Review of “Floating Between the Tropical and Glacial Zones”
  8. Ruba Al-Sweel Curates “Garden of e-arthly Delights” at SUMAC Space
  9. Salwa Mikdadi Reflects on the Opening of NYU Abu Dhabi’s Arab Center for the Study of Art

E-03++ Fall/Winter 2021-22
Art Dubai Digital, An Alternative Art World?
Must-See Exhibitions in Dubai - Art Week Edition 2022
Prepare The Ingredients and Let The Rest Flow: Miramar and Zaid’s “Pure Data” Premieres at Satellite for Quoz Arts Fest 2022
 Akira Takayama on McDonald’s Radio University, Heterotopia, and Wagner Project
AUH Woman as a Noun, and a Practice: “As We Gaze Upon Her” at Warehouse421
AAN The Labor of Art and the Art of Labor: Christopher Benton on His First Exhibition in Al Ain
IST “Once Upon a Time Inconceivable”: A Review and a Conversation
RUH Misk Art Institute’s Annual Flagship Exhibition Explores the Universality of Identity
RUH HH Prince Fahad Al Saud Discusses Saudi Arabia’s Artistic Renaissance
Engage101 Presents “Connected, Collected” at Sotheby’s Dubai

📕 E-Issue 02
NYC Spring 2021
  1. Editor’s Note
  2. What’s On in NYC
  3. Pop(Corn): Zeid Jaouni
  4. You Can Take The Girl Out Of The City 
  5. Rapport: NYC
  6. Kindergarten Records Discuss The Future of Electronic Music
  7. Sole DXB Brings NY Hip-Hop To Abu Dhabi
  8. Wei Han Finds ‘Home’ In New York
  9. Vikram Divecha: Encounters and Negotiations

E-02++ Spring/Summer 2021
DXB “After The Beep”: A Review and Some Reflections
OSA Rintaro Fuse Curates “Silent Category” at Creative Center Osaka
AUH “Total Landscaping”at Warehouse 421
TYO “Mimicry of Hollows” Opens at The 5th Floor
TYO Startbahn, Japan’s Leading Art Blockchain Company, Builds a New Art Infrastructure for the Digital Age
DXB There Is A You In The Cloud You Can’t Delete: A Review of “Age of You” at Jameel Arts Centre
BAH Mihrab: Mysticism, Devotion, and Geo-Identity
LDN Fulfilment Services Ltd. Questions Techno-Capitalism on Billboards in London
DXB Ana Escobar: Objects Revisited
TYO BIEN Opens Two Solo Exhibitions in Island Japan and Parcel
CTU/AUH/YYZ Sabrina Zhao: Between Abu Dhabi, Sichuan, and Toronto
RUH Noor Riyadh Shines Light on Saudi Arabia’s 2030 Art Strategy
DXB A Riot Towards Landscapes
DXB A ‘Menu Poem’ and All That Follows
DXB Alserkal Art Week Top Picks 
DXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art Foundation
AUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421
DXB There’s a Hurricane at the Foundry

📙 E-Issue 01 –– AUH/DXB Summer 2020 
  1. Editor’s Note 
  2. What’s On in the UAE
  3. Pop(Corn): Hashel Al Lamki
  4. Tailoring in Abu Dhabi
  5. Rapport: Dubai 
  6. Michael Rakowitz From the Diaspora

E-01++ Fall/Winter 2020-21
GRV MIA Anywhere Hosts First Virtual Exhibition of Female Chechen Artists    
DXB Sa Tahanan Collective Redefines Home for Filipino Artists
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer
AUH SEAF Cohort 7 at Warehouse 421 
DXB 101 Strikes Again with Second Sale at Alserkal Avenue
DXB Spotlight on Dubai Design Week 2020
DXB Melehi’s Waves Complicate Waving Goodbye
DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre
DAM Investigating the Catalogues of the National Museum of Damascus
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE
TYO James Jarvis Presents Latest Collages at 3110NZ
DXB Do You See Me How I See You?
DXB Thaely Kicks Off Sustainable Sneakers
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh
MIA a_part Gives Artists 36 Hours to React

UAE Tawahadna Introduces MENA Artists to a Global Community
LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia
DXB Taaboogah Infuses Comedy Into Khaleeji Menswear
DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’
DXB Alserkal Arts Foundation Presents Mohamed Melehi
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting
AUH Sarah Almehairi Initiates Conversations
DXB Augustine Paredes Taking Up Space
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism
BEY GAD Map: Arts & Culture Relief for Beirut

ℹ️ E-Issues Info
    1. Mission
    2. Schedule

    3. Editorial Board
    4. Contributors
Global Art Daily Info ––
    1. About Global Art Daily
    2. Archive
🗃️ Archive Year 2018 
    NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev
    PAR Hottest Spices: Michèle Lamy
    BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”
   AUH Abu Dhabi Is The New Calabasas

🎙️ GAD Talk Series –– Season 1 2020
   1. What is GAD? 2015 to Now

    2. Where is GAD? An Open Coversation on Migration as Art Practitioners

    3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover
   4. Young Curators in Tokyo: The Making of The 5th Floor
    5. How To Create Digital Networks in The Art World?

☎️ Open Call ––

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1. Editor’s Note: E-Issue 01

August 1st, 2020

Welcome back to Global Art Daily! It is with great honor I inaugurate our brand new E-Issues website with our E-Issue 01, dedicated to Abu Dhabi / Dubai.

It is a difficult time to be starting anything new. The world is in a chaotic state. 2020 has shown we could accumulate medical, financial, political, and social crises, all at the same time. Between coronavirus cases spikes, deaths of innocent civilians, protests, and questionable leadership, societies around the world are considering total structural overhauls. On an individual level, our day-to-day routines are changing. We live online, work from home, Zoom our friends, practice social distancing, and the scary part is we are slowly adapting to this new reality.

What this calls for is change. Necessary, radical change. It’s time to let go of the past and reinvent our identities in a brave new world which we have a chance of redefining. After darkness comes light, and in an age of crises, our force lies in renaissance.

Here at Global Art Daily (GAD), that’s exactly what we have done. After publishing two issues of GAD Magazine in 2018, we took a long break. GAD has always been a passion project of mine, fueled by a greater belief in bridging creative communities around the globe. 2019 was quiet, and I couldn’t figure out what our next steps should be. But then, 2020 happened. As difficult as it has been for many of us, the stay-at-home lifestyle brought back a sign of light to the publication. Today, we are proud to present a refreshed and redesigned GAD 2.0, built by a new Editorial Board dedicated to our core mission of connecting the global creative community. Between the four of us, we cover New York, London, Abu Dhabi, and Tokyo, and are ready to offer you new E-Issues every 6 months. 

After many alterations and print developments, we are going back to our roots. GAD was born in Abu Dhabi and was very much inspired by the city’s incredible vision to embrace cross-cultural artistic dialogues.
Since 2015, the United Arab Emirates’ art scene has dramatically changed and evolved for the better. There are more complex links and a thriving local community of artists, photographers, fashion designers, influencers, and other creatives unconstrained by strict definitions or categorizations. E-Issue 01 is trying to capture that energy.

It also goes without saying that the UAE has been exemplary in mitigating the consequences of the pandemic, especially when it comes to its cultural scene. Countless online majlis talks, online exhibitions viewings, and other digital initiatives have sprung out of lockdown. All other countries could take example.

We start with ‘What’s On in the UAE’, an article written by Sala Shaker proposing a selection of current exhibitions open throughout the UAE. We then turn to the capital, Abu Dhabi. A big, exciting and refreshingly honest interview with rising star Hashel Al Lamki awaits you in our new section Pop(Corn), followed by a nostalgic account of my experiences tailoring clothes in Madinat Zayed Shopping Centre. We then move to Dubai. A full Rapport, another recurring section, explores the history and current climate of Dubai’s cultural magnetism. We wrote an in-depth analysis of what makes Dubai’s art scene so special, and quoted key influencers, gallery owners, and artists in the city. Finally, Daniel H Rey shares his experience of seeing Michael Rakowitz’s show currently up at Jameel Arts Centre.

I invite you to learn more about our E-Issues 2020-2021 Schedule and updated Open Call policy. And don’t forget to follow us on @globalartdaily to catch our latest updates. The digital format permits us to consider E-Issues as living documents, and more articles in this issue may follow as we welcome submissions in the next few months.

We hope you enjoy reading E-Issue 01!

Stay curious, stay global, 

Sophie Arni
Founder, Editor-in-Chief

1. GAD E-Issue 01, AUH/DXB, Summer 2020. Cover Image: Hashel Al Lamki, ADNOC Gas Station (2019). Acrylic on canvas. Image courtesy of Warehouse421 and the artist.

2. What’s On in the UAE, by Sala Shaker 
4. Tailoring in Abu Dhabi, by Sophie Arni
5. Rapport: Dubai, by GAD’s Editorial Board
6. Michael Rakowitz From the Diaspora, by Daniel H Rey