📘 E-Issue 05 ––VCE Fall 2022
  1. Editor’s Note
  2. What’s On in VCE
  3. Pop(Corn): UAE National Pavilion
  4. Rapport: Venice
  5. Zeitgeist of our Time: Füsun Onur for the Turkish Pavilion at the 59th Venice Biennale
  6. GAD’s Top Picks: National Pavilions
  7. Strangers to the Museum Wall: Kehinde Wiley’s Venice Exhibition Speaks of Violence and Portraiture
  8. Questioning Everyday Life: Alluvium by Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian at OGR Torino in Venice

📒 E-Issue 04 ––IST Spring 2022
  1. Editor’s Note
  2. What’s On in IST
  3. Pop(Corn): Refik Anadol
  4. Rapport: Istanbul
  5. Independent Spaces in Istanbul: Sarp Özer on Operating AVTO

E-04++ Spring/Summer 2022
Creating an Artist Books Library in Istanbul: Aslı Özdoyuran on BAS
How Pearl Lam Built Her Gallery Between China and Europe
What’s On in the UAE: Our Top Summer Picks
DXB Art Jameel Joins The World Weather Network in a Groundbreaking Response to Global Climate Crisis
DXB “Geometry is Everywhere”: An Interview and Walking Tour of Order of Magnitude, Jitish Kallat’s Solo Exhibition at Dubai’s Ishara Art Foundation
“We Are Witnessing History”: Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian On Their Retrospective Exhibition at NYU Abu Dhabi Art Gallery
 Istanbul’s 5533 Presents Nazlı Khoshkhabar’s “Around and Round”
HK Startbahn Presents “Made in Japan 3.0: Defining a New Phy-gital Reality”, an NFT Pop-Up at K11 Art Mall
DXB Dubai's Postmodern Architecture: Constructing the Future with 3dr Models
📘 E-Issue 03 –– TYO Fall 2021
  1. Editor’s Note
  2. What’s On in TYO
  3. Pop(Corn): Nimyu
  4. Ahmad The Japanese: Bady Dalloul on Japan and Belonging
  5. Rapport: Tokyo 
  6. Alexandre Taalba Redefines Virtuality at The 5th Floor
  7. Imagining Distant Ecologies in Hypersonic Tokyo: A Review of “Floating Between the Tropical and Glacial Zones”
  8. Ruba Al-Sweel Curates “Garden of e-arthly Delights” at SUMAC Space
  9. Salwa Mikdadi Reflects on the Opening of NYU Abu Dhabi’s Arab Center for the Study of Art

E-03++ Fall/Winter 2021-22
Art Dubai Digital, An Alternative Art World?
Must-See Exhibitions in Dubai - Art Week Edition 2022
Prepare The Ingredients and Let The Rest Flow: Miramar and Zaid’s “Pure Data” Premieres at Satellite for Quoz Arts Fest 2022
 Akira Takayama on McDonald’s Radio University, Heterotopia, and Wagner Project
AUH Woman as a Noun, and a Practice: “As We Gaze Upon Her” at Warehouse421
AAN The Labor of Art and the Art of Labor: Christopher Benton on His First Exhibition in Al Ain
IST “Once Upon a Time Inconceivable”: A Review and a Conversation
RUH Misk Art Institute’s Annual Flagship Exhibition Explores the Universality of Identity
RUH HH Prince Fahad Al Saud Discusses Saudi Arabia’s Artistic Renaissance
Engage101 Presents “Connected, Collected” at Sotheby’s Dubai

📕 E-Issue 02
NYC Spring 2021
  1. Editor’s Note
  2. What’s On in NYC
  3. Pop(Corn): Zeid Jaouni
  4. You Can Take The Girl Out Of The City 
  5. Rapport: NYC
  6. Kindergarten Records Discuss The Future of Electronic Music
  7. Sole DXB Brings NY Hip-Hop To Abu Dhabi
  8. Wei Han Finds ‘Home’ In New York
  9. Vikram Divecha: Encounters and Negotiations

E-02++ Spring/Summer 2021
DXB “After The Beep”: A Review and Some Reflections
OSA Rintaro Fuse Curates “Silent Category” at Creative Center Osaka
AUH “Total Landscaping”at Warehouse 421
TYO “Mimicry of Hollows” Opens at The 5th Floor
TYO Startbahn, Japan’s Leading Art Blockchain Company, Builds a New Art Infrastructure for the Digital Age
DXB There Is A You In The Cloud You Can’t Delete: A Review of “Age of You” at Jameel Arts Centre
BAH Mihrab: Mysticism, Devotion, and Geo-Identity
LDN Fulfilment Services Ltd. Questions Techno-Capitalism on Billboards in London
DXB Ana Escobar: Objects Revisited
TYO BIEN Opens Two Solo Exhibitions in Island Japan and Parcel
CTU/AUH/YYZ Sabrina Zhao: Between Abu Dhabi, Sichuan, and Toronto
RUH Noor Riyadh Shines Light on Saudi Arabia’s 2030 Art Strategy
DXB A Riot Towards Landscapes
DXB A ‘Menu Poem’ and All That Follows
DXB Alserkal Art Week Top Picks 
DXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art Foundation
AUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421
DXB There’s a Hurricane at the Foundry

📙 E-Issue 01 –– AUH/DXB Summer 2020 
  1. Editor’s Note 
  2. What’s On in the UAE
  3. Pop(Corn): Hashel Al Lamki
  4. Tailoring in Abu Dhabi
  5. Rapport: Dubai 
  6. Michael Rakowitz From the Diaspora

E-01++ Fall/Winter 2020-21
GRV MIA Anywhere Hosts First Virtual Exhibition of Female Chechen Artists    
DXB Sa Tahanan Collective Redefines Home for Filipino Artists
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer
AUH SEAF Cohort 7 at Warehouse 421 
DXB 101 Strikes Again with Second Sale at Alserkal Avenue
DXB Spotlight on Dubai Design Week 2020
DXB Melehi’s Waves Complicate Waving Goodbye
DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre
DAM Investigating the Catalogues of the National Museum of Damascus
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE
TYO James Jarvis Presents Latest Collages at 3110NZ
DXB Do You See Me How I See You?
DXB Thaely Kicks Off Sustainable Sneakers
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh
MIA a_part Gives Artists 36 Hours to React

UAE Tawahadna Introduces MENA Artists to a Global Community
LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia
DXB Taaboogah Infuses Comedy Into Khaleeji Menswear
DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’
DXB Alserkal Arts Foundation Presents Mohamed Melehi
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting
AUH Sarah Almehairi Initiates Conversations
DXB Augustine Paredes Taking Up Space
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism
BEY GAD Map: Arts & Culture Relief for Beirut

ℹ️ E-Issues Info
    1. Mission
    2. Schedule

    3. Editorial Board
    4. Contributors
Global Art Daily Info ––
    1. About Global Art Daily
    2. Archive
🗃️ Archive Year 2018 
    NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev
    PAR Hottest Spices: Michèle Lamy
    BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”
   AUH Abu Dhabi Is The New Calabasas

🎙️ GAD Talk Series –– Season 1 2020
   1. What is GAD? 2015 to Now

    2. Where is GAD? An Open Coversation on Migration as Art Practitioners

    3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover
   4. Young Curators in Tokyo: The Making of The 5th Floor
    5. How To Create Digital Networks in The Art World?

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E-Issues Info — Contributors

In alphabetical order:

Zeina Abedarbo, DXB
Zeina Abedarbo is based in Dubai and currently works at Gallery Isabelle van den Eynde. She studied at Central Saint Martins and has an Art History degree from the University of Brighton. She is interested in the role of contemporary practice and film making at the intersection of aesthetics and cultural anthropology.

Larayb Abrar, DXB
Larayb Abrar is an arts journalist, cultural critic, and hip-hop fan based in Abu Dhabi. She graduated from NYU Abu Dhabi with a major in Literature and Creative Writing, and minors in Social Research and Public Policy and French Language.

Sarah Afaneh, DXB
Sarah Afaneh is a UAE-based artist and writer who recently participated in “After the Beep” at Satellite, Alserkal Avenue.

Farah Fawzi Ali, DXB
Farah Fawzi Ali is a Filipina-Egyptian researcher and writer based in the United Arab Emirates with a B.A. in Political Science from The American University in Cairo. She is a member of the third iteration of The Assembly at Jameel Arts Centre.

Nada Ammagui, AUH/DCA
Nada Ammagui is a Research Associate (politics, society, and culture) at the Arab Gulf States Institute in Washington D.C. and currently a first-year MA student in Arab Studies at Georgetown University.

Christian Barberena
Christian Barberena is a stylist based in Los Angeles. His past experience includes being assisting Beyonce’s Black is King’s styling team, and co-styling Chloe x Halle, amongst co-styling other published editorial work.

Christopher Benton, DXB/BOS
Christopher Benton is a UAE-based artist and advertising creative director working across photography, film, and installation art. Past work has been presented at museums and institutions across the Middle East, including Alserkal Avenue, the Fikra Graphic Design Biennial, and Jameel Arts Centre. He is currently pursuing his MS in Art, Culture, and Technology at the Massachusetts Institute of Technology.

Anna Bernice, DXB/BLN
Anna Bernice is an independent arts and culture writer, culture researcher and curator based in Dubai, contributing to platforms such as Vice Arabia and Global Art Daily. She’s the co-founder of Sa Tahanan Collective, a UAE-based Filipino art collective dedicated to creating an inclusive artistic platform for Filipino artists in the Gulf.

Emília Vieira Branco, AUH
Emília Vieira Branco studies Theater and History at NYU Abu Dhabi.

Athoub N. Al Busaily, DXB
Athoub N. Al Busaily a Kuwaiti artist currently living in Abu Dhabi. In her work, she investigates the notion of borders, hunting, and the desert environment of Kuwait, often underlined by a tone of irony and the use of visual metaphors. She is currently completing an MA in Art History and Museum Studies at Sorbonne University Abu Dhabi.

Blair Cannon, LAX
Blair Cannon is a stylist based in Los Angeles, who has served as Creative Coordinator for Beyonce’s Black is King visual album. Blair’s clients include DVF, Levi's, Khaite, Cadillac and Rockstar, as well as styling starlets such as Chloe x Halle, Audrey Nuna, and Yumi Ni. Her editorial work has been published in magazines V, Puss Puss, Office, Wonderland and Paper among others.

Sarah Daher, DXB/LHR
Sarah Daher is a Lebanese curator, researcher, and writer who graduated with a BA in Theater and Economics from New York University Abu Dhabi and recently completed her Masters in Curating Contemporary Art at the Royal College of Art in London. She is a regular contributor to Global Art Daily and co-hosts the Khosh Bosh podcast.

Ji Young Kim, RAK
Ji Young graduated with a B.A. in Arab Crossroads Studies from NYU Abu Dhabi where she studied the Arabic language and conducted research on development of Emirati youth subcultures in Abu Dhabi. Currently, she is working in the norther emirate of Ras Al Khaimah as an Events Specialist.

Johann C. Muñoz, MIA
Johann C. Muñoz was born in Bogotá, Colombia and is based in Miami, FL. Throughout his career, he has worked on a series of collaborative projects, including DOMESTIC (2019) and Concerto on the River in Washington, D.C. (2019). Exhibitions include Miami Zine Fair (2019), Activist Small Press Fair at Exile Books (2018), 23rd International Biennial in Gabrovo, Bulgaria (2017).

Akimi Ota, TYO
Akimi Ota is an anthropologist, filmmaker, and director based in Tokyo. While completing his PhD in Visual Anthropology from the University of Manchester, he conduct a year-long fieldwork in the Amazonian rainforest in Ecuador and Peru. In 2020, he completed his first feature-length documentary film, titled “Kanarta: Alive in Dreams”.

Alessia Piacitelli, AUH/DXB
Alessia is an Italian and Russian student at New York University Abu Dhabi where she studies Art History and Economics. She was raised in Russia where she studied Academic Art and Design. Alessia is very interested in the development of the art market in the UAE and she currently interning for Carbon 12 gallery and pursuing a Student Assistantship for NYUAD Art Gallery.

Sala Shaker, LHR
Sala Shaker is an art publicist based in London. She graduated from NYU Abu Dhabi and has previously worked for the 1-54 Contemporary African Art Fair.

Hanan Sultan, LHR
Hanan Sultan is a jewelry designer based between Muscat, Dubai and London, who has previously participated in student collaborative projects with the British Art Medal Society, Cartier, Louis Vuitton, Swarovski and Vitsœ. She graduated with a B.A. in Jewelry Design from Central Saint Martins and is currently pursuing her MA in Jewelry and Metal at the Royal College of Art.