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News ––





DXB Christopher Joshua Benton to Debut Mubeen, City as Archive at The Third Line Shop in Collaboration with Global Art Daily

E-Issue 06 ––DXB/SHJ
Spring 2023

April 12th, 2023



  1. Editor’s Note
  2. What’s On in the UAE
  3. Pop(Corn): Jumairy
  4. Rapport: Art Dubai 2023
  5. Highlights from Sharjah Biennial 15
  6. Is Time Just an Illusion? A Review of "Notations on Time" at Ishara Art Foundation
  7. Saif Mhaisen and His Community at Bayt AlMamzar

 

Open Call ––

    Policy

Newsletter ––




Archive ––

   
Selected Archive

Artist Interview November 18th, 2016
AUH Raed Yassin in Abu Dhabi

Editorial March 1st, 2018
AUH Abu Dhabi Is The New Calabasas

Exhibition Listing May 22nd, 2018
DXB Christopher Benton: If We Don't Reclaim Our History, The Sand Will

Artist Interview June 15th, 2018
TYO An Interview with BIEN, a Rising Japanese Artist

Artist Interview July 17th, 2018
TYO Rintaro Fuse on Selfies and Cave Painting

Artist Interview August 28th, 2018
BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”

Artist Interview September 1st, 2018
NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev

Artist Interview September 1st, 2018
PAR Hottest Spices: Michèle Lamy

E-Issue 01 –– AUH/DXB
Summer 2020

August 1st, 2020



  1. Editor’s Note
  2. What’s On in the UAE
  3. Pop(Corn): Hashel Al Lamki
  4. Tailoring in Abu Dhabi
  5. Rapport: Dubai
  6. Michael Rakowitz From the Diaspora


E-01++
Fall/Winter 2020-21


Artist Interview August 23rd, 2020
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism


Artist Interview August 24th, 2020
DXB Augustine Paredes Taking Up Space

Artist Interview August 26th, 2020
AUH Sarah Almehairi Initiates Conversations

Market Interview August 28th, 2020
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting


Exhibition September 1st, 2020
DXB Alserkal Arts Foundation Presents Mohamed Melehi


Market Interview September 4th, 2020
DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’


Artist Interview September 7th, 2020
DXB Taaboogah Infuses Comedy Into Khaleeji Menswear

Artist Interview September 10th, 2020
LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia

Curator Interview September 14th, 2020
UAE Tawahadna Introduces MENA Artists to a Global Community

Exhibition Review September 24th, 2020
MIA a_part Gives Artists 36 Hours to React


Artist Interview September 27th, 2020
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh

Market Interview October 14th, 2021
DXB Thaely Kicks Off Sustainable Sneakers


Exhibition Review October 19th, 2020
DXB Do You See Me How I See You?


Exhibition October 22nd, 2020
TYO James Jarvis Presents Latest Collages at 3110NZ


Exhibition Review October 22nd, 2020
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE


Book Review October 28th, 2020
DAM Investigating the Catalogues of the National Museum of Damascus


Exhibition Review November 13th, 2020
DXB
Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre


Exhibition Review November 16th, 2021
DXB Melehi’s Waves Complicate Waving Goodbye


Exhibition Review November 19th, 2020
DXB Spotlight on Dubai Design Week 2020


Exhibition Review November 21st, 2020
DXB 101 Strikes Again with Second Sale at Alserkal Avenue


Exhibition Review
November 23rd, 2020


AUH SEAF Cohort 7 at Warehouse 421


Exhibition Review December 9th, 2020
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer


Curator Interview January 25th, 2021
DXB Sa Tahanan Collective Redefines Home for Filipino Artists


Exhibition Review February 21st, 2021
GRV MIA Anywhere Hosts First Virtual Exhibition of Female Chechen Artists  

🎙️GAD Talk Series –– Season 1 2020


November 1st, 2020
1. What is Global Art Daily? 2015 to Now

November 16th, 2020
2. Where is Global Art Daily? An Open Coversation on Migration as Art Practitioners


November 29th, 2020
3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover

December 20th, 2020
4. Young Curators in Tokyo: The Making of The 5th Floor

January 27th, 2021
5. How To Create Digital Networks in The Art World?

E-Issue 02 –– NYC
Spring 2021

February 21st, 2021



  1. Editor’s Note
  2. What’s On in NYC
  3. Pop(Corn): Zeid Jaouni
  4. You Can Take The Girl Out Of The City
  5. Rapport: NYC
  6. Kindergarten Records Discuss The Future of Electronic Music
  7. Sole DXB Brings NY Hip-Hop To Abu Dhabi
  8. Wei Han Finds ‘Home’ In New York
  9. Vikram Divecha: Encounters and Negotiations

E-02++
Spring/Summer 2021

Exhibition Review March 3rd, 2021
DXB There’s a Hurricane at the Foundry


Exhibition Review March 7th, 2021
AUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421


Curator Interview March 21st, 2021
DXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art Foundation


Exhibition March 28th, 2021
DXB Alserkal Art Week Top Picks


Exhibition Review April 1st, 2021
DXB A ‘Menu Poem’ and All That Follows


Exhibition Review April 5th, 2021
DXB A Riot Towards Landscapes


Exhibition April 16th, 2021
RUH Noor Riyadh Shines Light on Saudi Arabia’s 2030 Art Strategy


Artist Interview April 26th, 2021
CTU/AUH/YYZ Sabrina Zhao: Between Abu Dhabi, Sichuan, and Toronto


Exhibition Review April 27th, 2021
TYO BIEN Opens Two Solo Exhibitions in Island Japan and Parcel


Artist Interview April 28th, 2021
DXB Ana Escobar: Objects Revisited


Exhibition May 9th, 2021
LDN Fulfilment Services Ltd. Questions Techno-Capitalism on Billboards in London


Artist Interview May 11th, 2021
BAH Mihrab: Mysticism, Devotion, and Geo-Identity


Curator Interview May 20th, 2021
DXB There Is A You In The Cloud You Can’t Delete: A Review of “Age of You” at Jameel Arts Centre

Market Interview May 26th, 2021
TYO Startbahn, Japan’s Leading Art Blockchain Company, Builds a New Art Infrastructure for the Digital Age

Exhibition June 11th, 2021
TYO “Mimicry of Hollows” Opens at The 5th Floor


Exhibiton Review June 20th, 2021
AUH “Total Landscaping”at Warehouse 421


Artist Interview June 30th, 2021
OSA Rintaro Fuse Curates “Silent Category” at Creative Center Osaka


Exhibition Review August 9th, 2021
DXB “After The Beep”: A Review and Some Reflections

E-Issue 03 ––TYO
Fall 2021

October 1st, 2022



  1. Editor’s Note
  2. What’s On in TYO
  3. Pop(Corn): Nimyu
  4. Ahmad The Japanese: Bady Dalloul on Japan and Belonging
  5. Rapport: Tokyo
  6. Alexandre Taalba Redefines Virtuality at The 5th Floor
  7. Imagining Distant Ecologies in Hypersonic Tokyo: A Review of “Floating Between the Tropical and Glacial Zones”
  8. Ruba Al-Sweel Curates “Garden of e-arthly Delights” at SUMAC Space
  9. Salwa Mikdadi Reflects on the Opening of NYU Abu Dhabi’s Arab Center for the Study of Art

E-03++
Fall/Winter 2021-22


Market Interview October 6th, 2021
RUH HH Prince Fahad Al Saud Discusses Saudi Arabia’s Artistic Renaissance


Exhibition October 7th, 2021
RUH Misk Art Institute’s Annual Flagship Exhibition Explores the Universality of Identity


Curator Interview October 15th, 2021
IST “Once Upon a Time Inconceivable”: A Review and a Conversation


Exhibition Review October 16th, 2021
AUH Woman as a Noun, and a Practice: “As We Gaze Upon Her” at Warehouse421



Exhibition Review February 11th, 2022

Artist Interview February 26th, 2022
TYO Akira Takayama on McDonald’s Radio University, Heterotopia, and Wagner Project


Artist Interview March 10th, 2022
DXB Prepare The Ingredients and Let The Rest Flow: Miramar and Zaid’s “Pure Data” Premieres at Satellite for Quoz Arts Fest 2022


Exhibition March 11th, 2022
DXB Must-See Exhibitions in Dubai - Art Week Edition 2022


Exhibition Review March 14th, 2022
DXB Art Dubai Digital, An Alternative Art World?

E-Issue 04 –– IST
Spring 2022

March 15th, 2022



  1. Editor’s Note
  2. What’s On in IST
  3. Pop(Corn): Refik Anadol
  4. Rapport: Istanbul
  5. Independent Spaces in Istanbul: Sarp Özer on Operating AVTO

E-04++
Spring/Summer 2022


Curator Interview March 21st, 2022

Market Interview March 28th, 2022
DXB Dubai's Postmodern Architecture: Constructing the Future with 3dr Models


Exhibition April 23rd, 2022
HK Startbahn Presents “Made in Japan 3.0: Defining a New Phy-gital Reality”, an NFT Pop-Up at K11 Art Mall


Exhibition May 6th, 2022
IST
Istanbul’s 5533 Presents Nazlı Khoshkhabar’s “Around and Round”


Artist Interview May 13th, 2022
DXB
“We Are Witnessing History”: Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian On Their Retrospective Exhibition at NYU Abu Dhabi Art Gallery

Artist Interview June 13th, 2022
DXB “Geometry is Everywhere”: An Interview and Walking Tour of Order of Magnitude, Jitish Kallat’s Solo Exhibition at Dubai’s Ishara Art Foundation


Exhibition June 21st, 2022
DXB Art Jameel Joins The World Weather Network in a Groundbreaking Response to Global Climate Crisis

Exhibition June 27th, 2022
UAE
What’s On in the UAE: Our Top Summer Picks

Curator Interview July 9th, 2022
IST Creating an Artist Books Library in Istanbul: Aslı Özdoyuran on BAS

E-Issue 05 –– VCE
Fall 2022

September 5th, 2022



  1. Editor’s Note
  2. What’s On in VCE
  3. Pop(Corn): UAE National Pavilion
  4. Rapport: Venice
  5. Zeitgeist of our Time: Füsun Onur for the Turkish Pavilion at the 59th Venice Biennale
  6. GAD’s Top Picks: National Pavilions
  7. Strangers to the Museum Wall: Kehinde Wiley’s Venice Exhibition Speaks of Violence and Portraiture
  8. Questioning Everyday Life: Alluvium by Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian at OGR Torino in Venice

E-05++
Fall/Winter 2022-23


Market Interview June 28th, 2022
HK
How Pearl Lam Built Her Gallery Between China and Europe


Exhibition November 11th, 2022
TYO
“Atami Blues” Brings Together UAE-Based and Japanese Artists in HOTEL ACAO ANNEX


Exhibition December 2nd, 2022
TYO Wetland Lab Proposes Sustainable Cement Alternative in Tokyo

Artist Interview December 9th, 2022
DXB Navjot Altaf Unpacks Eco-Feminism and Post-Pandemic Reality at Ishara Art Foundation

Artist Interview January 8th, 2023
TYO Shu Yonezawa and the Art of Animation

Artist Interview January 19th, 2023
NYC Reflecting on Her Southwestern Chinese Bai Roots, Peishan Huang Captures Human Traces on Objects and Spaces

Exhibition Review February 9th, 2023
DXB Augustine Paredes Builds His Paradise Home at Gulf Photo Plus

Artist Interview February 22nd, 2023
DXB Persia Beheshti Shares Thoughts on Virtual Worlds and the State of Video Art in Dubai Ahead of Her Screening at Bayt Al Mamzar


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Global Art Daily E-Issues Info — Contributors


The following writers have contributed to Global Art Daily from 2015 to today.
In alphabetical order:
*Some biographies might be outdated.

Zeina Abedarbo, DXB
Zeina Abedarbo is based in Dubai and currently works at Gallery Isabelle van den Eynde. She studied at Central Saint Martins and has an Art History degree from the University of Brighton. She is interested in the role of contemporary practice and film making at the intersection of aesthetics and cultural anthropology.

Larayb Abrar, DXB
Larayb Abrar is an arts journalist, cultural critic, and hip-hop fan based in Abu Dhabi. She graduated from NYU Abu Dhabi with a major in Literature and Creative Writing, and minors in Social Research and Public Policy and French Language.

Sarah Afaneh, DXB
Sarah Afaneh is a UAE-based artist and writer who recently participated in “After the Beep” at Satellite, Alserkal Avenue.

Farah Fawzi Ali, DXB
Farah Fawzi Ali is a Filipina-Egyptian researcher and writer based in the United Arab Emirates with a B.A. in Political Science from The American University in Cairo. She is a member of the third iteration of The Assembly at Jameel Arts Centre.

Nada Ammagui, AUH/DCA
Nada Ammagui is a Research Associate (politics, society, and culture) at the Arab Gulf States Institute in Washington D.C. and currently a first-year MA student in Arab Studies at Georgetown University. She was previously a Postgraduate Research Fellow in the Arts & Humanities at NYU Abu Dhabi conducting research on histories of cultural institutions and contemporary art in Sharjah, UAE. She employs interdisciplinary methods, ranging from ethnography and archival exploration to data analysis and digital mapping, to examine the spatial and temporal dimensions of Sharjah’s art scene. Nada graduated from NYU Abu Dhabi with a B.A. in Arab Crossroads Studies and a minor in Art History.

Christian Barberena
, LAX
Christian Barberena is a stylist based in Los Angeles. His past experience includes being assisting Beyonce’s Black is King’s styling team, and co-styling Chloe x Halle, amongst co-styling other published editorial work.

Christopher Benton, DXB/BOS
Christopher Benton is a UAE-based artist and advertising creative director working across photography, film, and installation art. Past work has been presented at museums and institutions across the Middle East, including Alserkal Avenue, the Fikra Graphic Design Biennial, and Jameel Arts Centre. He is currently pursuing his MS in Art, Culture, and Technology at the Massachusetts Institute of Technology.

Anna Bernice, DXB/BLN
Anna Bernice is an independent arts and culture writer, culture researcher and curator based in Dubai, contributing to platforms such as Vice Arabia and Global Art Daily. She’s the co-founder of Sa Tahanan Collective, a UAE-based Filipino art collective dedicated to creating an inclusive artistic platform for Filipino artists in the Gulf.

Emília Vieira Branco, AUH
Emília Vieira Branco studies Theater and History at NYU Abu Dhabi.

Athoub N. Al Busaily, DXB
Athoub N. Al Busaily a Kuwaiti artist currently living in Abu Dhabi. In her work, she investigates the notion of borders, hunting, and the desert environment of Kuwait, often underlined by a tone of irony and the use of visual metaphors. She is currently completing an MA in Art History and Museum Studies at Sorbonne University Abu Dhabi.

Blair Cannon, LAX
Blair Cannon is a stylist based in Los Angeles, who has served as Creative Coordinator for Beyonce’s Black is King visual album. Blair’s clients include DVF, Levi's, Khaite, Cadillac and Rockstar, as well as styling starlets such as Chloe x Halle, Audrey Nuna, and Yumi Ni. Her editorial work has been published in magazines V, Puss Puss, Office, Wonderland and Paper among others.

Sarah Daher, DXB/LHR
Sarah Daher is a Lebanese curator, researcher, and writer who graduated with a BA in Theater and Economics from New York University Abu Dhabi and recently completed her Masters in Curating Contemporary Art at the Royal College of Art in London. She is a regular contributor to Global Art Daily and co-hosts the Khosh Bosh podcast.

Veronica Hernandez, SHA
Veronica Hernandez was born and raised in Southwest Florida. In middle school, she discovered her love for studying Chinese and art history. After years of self-study and some courses in high school, she joined the inaugural class at New York University Shanghai to major in Global China Studies and to minor in Art History. She is now spending her junior year abroad, first in Buenos Aires then in Florence. In the spirit of Global Art Daily, she has worked in several galleries and other art institutions across three continents and travels extensively to see new art and attend art fairs.

Ji Young Kim, RAK
Ji Young graduated with a B.A. in Arab Crossroads Studies from NYU Abu Dhabi where she studied the Arabic language and conducted research on development of Emirati youth subcultures in Abu Dhabi. Currently, she is working in the norther emirate of Ras Al Khaimah as an Events Specialist.

Tiffany LiuNYCTiffany Liu was born in the suburbs of Atlanta, USA. Growing up, Tiffany partook in many activities, one being drawing and painting. Art became her preferred mode of communication and is how Tiffany makes sense of society, politics, and her innermost thoughts. Tiffany is a graduate from the NYU’s Gallatin School of Individualized Studies with a concentration titled "Reimagining Contemporary Art History" focusing on 21st Century Artists and Social Change, incorporating art history with a sociological, philosophical, and political framework. In 2016, she interned under Roselee Goldberg's mentorship at PERFORMA and has, in the past years, been closely working with Afro-Asian art collective BUFU and more specifically with NYC-based Yellow Jacket Collective. She is currently working on her own artistic practice with a focus on performance art.

Harmehar Maini, IXJ
Harmehar Maini is an aspiring curator and art writer born in Jammu, Jammu and Kashmir, India. After completing her Bachelors from OP Jindal Global University, in Global Affairs, she shortly shifted to UAE to pursue arts and real estate. She has worked with Indian Art Fair, Art Dubai and Devi Art Foundation. She is an avid believer that art can connect to any and every element on the face of the earth be it real estate or politics.

Natalia Sosa Molina
, BAI
Natalia Sosa Molina (Naiting So Mo) is an Argentinian textile and clothing designer who graduated from the University of Buenos Aires. She defines herself as a ‘de facto’ curator and art producer. In 2015, she co-founded Chien Noir, a contemporary art gallery together with her partner Luca Decker. The gallery, located in Buenos Aires, focuses on digital art, new media, and audiovisual formats. Chien Noir has organized a number of artist residencies. Natalia specializes in recruiting young emerging artists and works with them in the construction of exhibitions.

Johann C. Muñoz
, MIA
Johann C. Muñoz was born in Bogotá, Colombia and is based in Miami, FL. Throughout his career, he has worked on a series of collaborative projects, including DOMESTIC (2019) and Concerto on the River in Washington, D.C. (2019). Exhibitions include Miami Zine Fair (2019), Activist Small Press Fair at Exile Books (2018), 23rd International Biennial in Gabrovo, Bulgaria (2017).

Akimi Ota, TYO
Akimi Ota is an anthropologist, filmmaker, and director based in Tokyo. While completing his PhD in Visual Anthropology from the University of Manchester, he conduct a year-long fieldwork in the Amazonian rainforest in Ecuador and Peru. In 2020, he completed his first feature-length documentary film, titled “Kanarta: Alive in Dreams”.

Alsace Patrone, BAI/NYC
Alsace Patrone was born and raised in the Bay Area, California. She is pursuing a Global Liberal Studies major concentrating in Contemporary Culture and Creative Production and a Social Work minor at New York University. Her artistic experience is rooted in her roles as a sports and fashion photographer (Prep2Prep, WSN) and as a docent and textile conservation assistant at NYU’s Villa La Pietra in Florence. Through her travel and academic study, she continues to grow upon personal interest in museum curation and interactive art. She looks forward to combining her personal and professional interests in ever-increasingly creative and global ways.

Alessia Piacitelli, AUH/DXB
Alessia is an Italian and Russian student at New York University Abu Dhabi where she studies Art History and Economics. She was raised in Russia where she studied Academic Art and Design. Alessia is very interested in the development of the art market in the UAE and she currently interning for Carbon 12 gallery and pursuing a Student Assistantship for NYUAD Art Gallery.

Julia Saubier, PEK
Julia Saubier is a Filipina-French film producer currently based in Beijing. She has written, directed, and produced several short films including the world's first interactive live-action narrative short Two Strangers Meet in a Bar (2015) and Remnants of the Hive (2017), which was selected to premiere at the Cannes Film Festival. She graduated with a degree in Social Research and Public Policy and Film and New Media Production from NYU Abu Dhabi, and is currently pursuing a Masters in Chinese Cinema and Economics at Peking University.  

Sala Shaker, LHR
Sala Shaker is an art publicist based in London. She graduated from NYU Abu Dhabi and has previously worked for the 1-54 Contemporary African Art Fair.

Hanan Sultan, LHR
Hanan Sultan is a jewelry designer based between Muscat, Dubai and London, who has previously participated in student collaborative projects with the British Art Medal Society, Cartier, Louis Vuitton, Swarovski and Vitsœ. She graduated with a B.A. in Jewelry Design from Central Saint Martins and is currently pursuing her MA in Jewelry and Metal at the Royal College of Art.