📘 E-Issue 05 ––VCE Fall 2022
- Editor’s Note
- What’s On in VCE
- Pop(Corn): UAE National Pavilion
- Rapport: Venice
- Zeitgeist of our Time: Füsun Onur for the Turkish Pavilion at the 59th Venice Biennale
- GAD’s Top Picks: National Pavilions
- Strangers to the Museum Wall: Kehinde Wiley’s Venice Exhibition Speaks of Violence and Portraiture
- Questioning Everyday Life: Alluvium by Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian at OGR Torino in Venice
📒 E-Issue 04 ––IST Spring 2022
- Editor’s Note
- What’s On in IST
- Pop(Corn): Refik Anadol
- Rapport: Istanbul
- Independent Spaces in Istanbul: Sarp Özer on Operating AVTO
E-04++ Spring/Summer 2022
IST Creating an Artist Books Library in Istanbul: Aslı Özdoyuran on BAS
HK How Pearl Lam Built Her Gallery Between China and Europe
UAE What’s On in the UAE: Our Top Summer Picks
DXB Art Jameel Joins The World Weather Network in a Groundbreaking Response to Global Climate Crisis
DXB “Geometry is Everywhere”: An Interview and Walking Tour of Order of Magnitude, Jitish Kallat’s Solo Exhibition at Dubai’s Ishara Art Foundation
DXB “We Are Witnessing History”: Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian On Their Retrospective Exhibition at NYU Abu Dhabi Art Gallery
IST Istanbul’s 5533 Presents Nazlı Khoshkhabar’s “Around and Round”
HK Startbahn Presents “Made in Japan 3.0: Defining a New Phy-gital Reality”, an NFT Pop-Up at K11 Art Mall
DXB Dubai's Postmodern Architecture: Constructing the Future with 3dr Models
📘 E-Issue 03 ––
TYO Fall 2021
- Editor’s Note
- What’s On in TYO
- Pop(Corn): Nimyu
- Ahmad The Japanese: Bady Dalloul on Japan and Belonging
- Rapport: Tokyo
- Alexandre Taalba Redefines Virtuality at The 5th Floor
- Imagining Distant Ecologies in Hypersonic Tokyo: A Review of “Floating Between the Tropical and Glacial Zones”
- Ruba Al-Sweel Curates “Garden of e-arthly Delights” at SUMAC Space
- Salwa Mikdadi Reflects on the Opening of NYU Abu Dhabi’s Arab Center for the Study of Art
E-03++ Fall/Winter 2021-22
DXB Art Dubai Digital, An Alternative Art World?
DXB Must-See Exhibitions in Dubai - Art Week Edition 2022
DXB Prepare The Ingredients and Let The Rest Flow: Miramar and Zaid’s “Pure Data” Premieres at Satellite for Quoz Arts Fest 2022
TYO Akira Takayama on McDonald’s Radio University, Heterotopia, and Wagner Project
AUH Woman as a Noun, and a Practice: “As We Gaze Upon Her” at Warehouse421
AAN The Labor of Art and the Art of Labor: Christopher Benton on His First Exhibition in Al Ain
IST “Once Upon a Time Inconceivable”: A Review and a Conversation
RUH Misk Art Institute’s Annual Flagship Exhibition Explores the Universality of Identity
RUH HH Prince Fahad Al Saud Discusses Saudi Arabia’s Artistic Renaissance
DXB Engage101 Presents “Connected, Collected” at Sotheby’s Dubai
📕 E-Issue 02 –– NYC Spring 2021
- Editor’s Note
- What’s On in NYC
- Pop(Corn): Zeid Jaouni
- You Can Take The Girl Out Of The City
- Rapport: NYC
- Kindergarten Records Discuss The Future of Electronic Music
- Sole DXB Brings NY Hip-Hop To Abu Dhabi
- Wei Han Finds ‘Home’ In New York
- Vikram Divecha: Encounters and Negotiations
E-02++ Spring/Summer 2021
DXB “After The Beep”: A Review and Some Reflections
OSA Rintaro Fuse Curates “Silent Category” at Creative Center Osaka
AUH “Total Landscaping”at Warehouse 421
TYO “Mimicry of Hollows” Opens at The 5th Floor
TYO Startbahn, Japan’s Leading Art Blockchain Company, Builds a New Art Infrastructure for the Digital Age
DXB There Is A You In The Cloud You Can’t Delete: A Review of “Age of You” at Jameel Arts Centre
BAH Mihrab: Mysticism, Devotion, and Geo-Identity
LDN Fulfilment Services Ltd. Questions Techno-Capitalism on Billboards in London
DXB Ana Escobar: Objects Revisited
TYO BIEN Opens Two Solo Exhibitions in Island Japan and Parcel
CTU/AUH/YYZ Sabrina Zhao: Between Abu Dhabi, Sichuan, and Toronto
RUH Noor Riyadh Shines Light on Saudi Arabia’s 2030 Art Strategy
DXB A Riot Towards Landscapes
DXB A ‘Menu Poem’ and All That Follows
DXB Alserkal Art Week Top Picks
DXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art Foundation
AUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421
DXB There’s a Hurricane at the Foundry
📙 E-Issue 01 –– AUH/DXB Summer 2020
- Editor’s Note
- What’s On in the UAE
- Pop(Corn): Hashel Al Lamki
- Tailoring in Abu Dhabi
- Rapport: Dubai
- Michael Rakowitz From the Diaspora
E-01++ Fall/Winter 2020-21
GRV MIA Anywhere Hosts First Virtual Exhibition of Female Chechen Artists
DXB Sa Tahanan Collective Redefines Home for Filipino Artists
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer
AUH SEAF Cohort 7 at Warehouse 421
DXB 101 Strikes Again with Second Sale at Alserkal Avenue
DXB Spotlight on Dubai Design Week 2020
DXB Melehi’s Waves Complicate Waving Goodbye
DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre
DAM Investigating the Catalogues of the National Museum of Damascus
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE
TYO James Jarvis Presents Latest Collages at 3110NZ
DXB Do You See Me How I See You?
DXB Thaely Kicks Off Sustainable Sneakers
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh
MIA a_part Gives Artists 36 Hours to React
UAE Tawahadna Introduces MENA Artists to a Global Community
LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia
DXB Taaboogah Infuses Comedy Into Khaleeji Menswear
DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’
DXB Alserkal Arts Foundation Presents Mohamed Melehi
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting
AUH Sarah Almehairi Initiates Conversations
DXB Augustine Paredes Taking Up Space
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism
BEY GAD Map: Arts & Culture Relief for Beirut
ℹ️ E-Issues Info ––
1. Mission
2. Schedule
3. Editorial Board
4. Contributors
Global Art Daily Info ––
1. About Global Art Daily
2. Archive
🗃️ Archive Year 2018
NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev
PAR Hottest Spices: Michèle Lamy
BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”
AUH Abu Dhabi Is The New Calabasas
🎙️ GAD Talk Series –– Season 1 2020
1. What is GAD? 2015 to Now
2. Where is GAD? An Open Coversation on Migration as Art Practitioners
3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover
4. Young Curators in Tokyo: The Making of The 5th Floor
5. How To Create Digital Networks in The Art World?
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GAD Info –– About Global Art Daily
Global Art Daily is an independent publication dedicated to global contemporary art. Born in Abu Dhabi in 2015, we are today comprised of young art critics spread throughout continents. Our contributors are both ‘cool-hunters’ and academically-inclined. They are globally-minded, often come from mixed cultural backgrounds themselves, and highlight artists and projects blurring national boundaries.
🔗 Meet our Editorial Board
🔗 Meet our Contributors
For the past six years, we have interviewed artists and dug deeper inside cultural scenes of 17 different cities.
🔗 Selected archive
In 2018, we published two issues of GAD Magazine in Tokyo, Japan. Selected stockists included Artbook @ MoMA PS1, Tsutaya T-Site Daikanyama, The Third Line Gallery Bookstore, and ISLA Berlin.
GAD Magazine Issue 01
Street Futures
Spring 2018, Printed in Japan.
Street Futures
Spring 2018, Printed in Japan.
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