E-Issue 02 –– NYC Spring 2021

E-02++ Spring/Summer 2021
OSA Rintaro Fuse Curates “Silent Category” at Creative Center Osaka
AUH “Total Landscaping”at Warehouse 421
TYO “Mimicry of Hollows” Opens at The 5th Floor
TYO Startbahn, Japan’s Leading Art Blockchain Company, Builds a New Art Infrastructure for the Digital Age
DXB There Is A You In The Cloud You Can’t Delete: A Review of “Age of You” at Jameel Arts Centre
BAH Mihrab: Mysticism, Devotion, and Geo-Identity
LDN Fulfilment Services Ltd. Questions Techno-Capitalism on Billboards in London
DXB Ana Escobar: Objects Revisited
TYO BIEN Opens Two Solo Exhibitions in Island Japan and Parcel
CTU/AUH/YYZ Sabrina Zhao: Between Abu Dhabi, Sichuan, and Toronto
RUH Noor Riyadh Shines Light on Saudi Arabia’s 2030 Art Strategy
DXB A Riot Towards Landscapes
DXB A ‘Menu Poem’ and All That Follows
DXB Alserkal Art Week Top Picks
DXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art Foundation
AUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421
DXB There’s a Hurricane at the Foundry

E-Issue 01 –– AUH/DXB Summer 2020

Michael Rakowitz From the Diaspora

E-01++ Fall/Winter 2020-21
GRV MIA Anywhere Hosts First Virtual Exhibition of Female Chechen Artists
DXB Sa Tahanan Collective Redefines Home for Filipino Artists
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer
AUH SEAF Cohort 7 at Warehouse 421
DXB 101 Strikes Again with Second Sale at Alserkal Avenue
DXB Spotlight on Dubai Design Week 2020
DXB Melehi’s Waves Complicate Waving Goodbye
DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre
DAM Investigating the Catalogues of the National Museum of Damascus
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE
TYO James Jarvis Presents Latest Collages at 3110NZ
DXB Do You See Me How I See You?
DXB Thaely Kicks Off Sustainable Sneakers
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh
MIA a_part Gives Artists 36 Hours to React
UAE Tawahadna Introduces MENA Artists to a Global Community
LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia
DXB Taaboogah Infuses Comedy Into Khaleeji Menswear
DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’
DXB Alserkal Arts Foundation Presents Mohamed Melehi
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting
AUH Sarah Almehairi Initiates Conversations
DXB Augustine Paredes Taking Up Space
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism
BEY GAD Map: Arts & Culture Relief for Beirut

E-Issues Info ––
1. Mission
2. Schedule
3. Editorial Board
4. Contributors

GAD Info ––
1. About Global Art Daily
2. Archive
§§ Year 2018
NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev
PAR Hottest Spices: Michèle Lamy
BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”
AUH Abu Dhabi Is The New Calabasas

GAD Talk Series ––
1. What is GAD? 2015 to Now
2. Where is GAD? An Open Coversation on Migration as Art Practitioners
3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover
4. Young Curators in Tokyo: The Making of The 5th Floor
5. How To Create Digital Networks in The Art World?

Open Call ––
Policy

Main website ︎

GAD Info –– About Global Art Daily

Global Art Daily is an independent publication dedicated to global contemporary art. Born in Abu Dhabi in 2015, we are today comprised of young art critics spread throughout continents. Our contributors are both ‘cool-hunters’ and academically-inclined. They are globally-minded, often come from mixed cultural backgrounds themselves, and highlight artists and projects blurring national boundaries.

For the past five years, we have interviewed artists and dug deeper inside cultural scenes of 17 different cities. Our blog archive is available online. In 2018, we have also published two issues of GAD Magazine in Tokyo, Japan.

GAD Magazine Issue 01
Street Futures
Spring 2018, Printed in Japan.

GAD Magazine Issue 02
All Girls Are Spicy
Fall 2018, Printed in Japan.
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