E-Issue 02 –– NYC Spring 2021
  1. Editor’s Note
  2. What’s On in NYC
  3. Pop(Corn): Zeid Jaouni
  4. You Can Take The Girl Out Of The City 
  5. Rapport: NYC
  6. Kindergarten Records Discuss The Future of Electronic Music
  7. Sole DXB Brings NY Hip-Hop To Abu Dhabi
  8. Wei Han Finds ‘Home’ In New York
  9. Vikram Divecha: Encounters and Negotiations

E-02++ Spring/Summer 2021
OSA Rintaro Fuse Curates “Silent Category” at Creative Center Osaka
AUH “Total Landscaping”at Warehouse 421
TYO “Mimicry of Hollows” Opens at The 5th Floor
TYO Startbahn, Japan’s Leading Art Blockchain Company, Builds a New Art Infrastructure for the Digital Age
DXB There Is A You In The Cloud You Can’t Delete: A Review of “Age of You” at Jameel Arts Centre
BAH Mihrab: Mysticism, Devotion, and Geo-Identity
LDN Fulfilment Services Ltd. Questions Techno-Capitalism on Billboards in London
DXB Ana Escobar: Objects Revisited
TYO BIEN Opens Two Solo Exhibitions in Island Japan and Parcel
CTU/AUH/YYZ Sabrina Zhao: Between Abu Dhabi, Sichuan, and Toronto
RUH Noor Riyadh Shines Light on Saudi Arabia’s 2030 Art Strategy
DXB A Riot Towards Landscapes
DXB A ‘Menu Poem’ and All That Follows
DXB Alserkal Art Week Top Picks 
DXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art Foundation
AUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421
DXB There’s a Hurricane at the Foundry

E-Issue 01 –– AUH/DXB Summer 2020 
  1. Editor’s Note 
  2. What’s On in the UAE
  3. Pop(Corn): Hashel Al Lamki
  4. Tailoring in Abu Dhabi
  5. Rapport: Dubai 
  6. Michael Rakowitz From the Diaspora

E-01++ Fall/Winter 2020-21
GRV MIA Anywhere Hosts First Virtual Exhibition of Female Chechen Artists    
DXB Sa Tahanan Collective Redefines Home for Filipino Artists
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer
AUH SEAF Cohort 7 at Warehouse 421 
DXB 101 Strikes Again with Second Sale at Alserkal Avenue
DXB Spotlight on Dubai Design Week 2020
DXB Melehi’s Waves Complicate Waving Goodbye
DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre
DAM Investigating the Catalogues of the National Museum of Damascus
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE
TYO James Jarvis Presents Latest Collages at 3110NZ
DXB Do You See Me How I See You?
DXB Thaely Kicks Off Sustainable Sneakers
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh
MIA a_part Gives Artists 36 Hours to React

UAE Tawahadna Introduces MENA Artists to a Global Community
LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia
DXB Taaboogah Infuses Comedy Into Khaleeji Menswear
DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’
DXB Alserkal Arts Foundation Presents Mohamed Melehi
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting
AUH Sarah Almehairi Initiates Conversations
DXB Augustine Paredes Taking Up Space
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism
BEY GAD Map: Arts & Culture Relief for Beirut

E-Issues Info
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    3. Editorial Board
    4. Contributors
 
GAD Info ––
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    2. Archive
§§ Year 2018
    NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev
    PAR Hottest Spices: Michèle Lamy
    BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”
   AUH Abu Dhabi Is The New Calabasas

GAD Talk Series ––
    1. What is GAD? 2015 to Now

    2. Where is GAD? An Open Coversation on Migration as Art Practitioners

    3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover
   4. Young Curators in Tokyo: The Making of The 5th Floor
    5. How To Create Digital Networks in The Art World?

Open Call ––
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Mark

101 Strikes Again with Second Sale at Alserkal Avenue


By Global Art Daily Editorial Board

Published on November 21, 2020


        This week, the UAE grassroots art collecting and research platform 101 presents its second curated sale Playing Spaces, featuring five non-gallery represented artists based in the UAE. On view at Alserkal Avenue and online, this edition also launches public programs, a podcast, and original research pieces.


1. Talal Al Najjar, Tuwatam (Fairuz), 2020. 30.5 x 8 x 5 cm. Image courtesy of 101. 2. Asma Belhamar, Facade Observation #3, 2019. Mixed media on canvas 61cm x 54cm. Image courtesy of 101.


Under the concept of Playing Spaces, the artwork selection is led and curated by writer Gaith Abdulla along with independent curator and writer Munira Al Sayegh, founders of 101. Playing Spaces presents works by Talal Al Najjar, Asma Belhamar, Alaa Edris, Nasir Nasrallah and Malda Smadi. The selection is on view online at www.101.art and in-person at Alserkal Avenue Warehouse 44 from November 21st to 28th, 2020.



3. Alaa Edris, Reem Dream X, 2015. Digital C print. 60x85cm. Image courtesy of 101. 4. Alaa Edris, Reem Dream 04, 2015. Digital C print. 60x90cm. Image courtesy of 101.


After its inaugural edition last summer in Abu Dhabi’s BAIT15, 101’s autumn sale takes place in Dubai’s creative district of Alserkal Avenue. With support from the Alserkal Arts Foundation and encouragement from the community of emerging and established art collectors, Playing Spaces confronts boundaries set between notions of the rigid and the whimsical. The works revolve around the notion of play, architecture, and social constructs.

“Without formal training, the notion of experimentation and self-sought alternative modes of learning are important for my process,” mentions Malda Smadi, an emerging artist featured in 101, who further adds that joining the initiative translates into “exposure, inclusion and reaching a wider audience.” Al Sayegh notes that “the audience will interact with a range of artists who have been producing for a longer time and who have attained a maturity in their work,” adding that “the practices of each artist that we have chosen are markedly different in terms of their aesthetics and subject matter.”



Without formal training, the notion of experimentation and self-sought alternative modes of learning are important for my process.


- Malda Smadi


5. Malda Smadi, '74 - '75, 2020. 40 x 28.38 cm. Image courtesy of 101.




The audience will interact with a range of artists who have been producing for a longer time and who have attained a maturity in their work.


- Munira Al Sayegh


101 encourages experienced and first-time collectors to support up-and-coming artists in the local art scene. 101 makes these artists' creations available to the very community that has progressively witnessed their creative processes. Featured artist Talal Al Najjar reflects that “101’s second sale gives me the possibility to share my work directly with art collectors, the wider art market, and art communities in the Gulf and beyond.”



6. Talal Al Najjar, Tuwatam (Jalis), 2020. 24.2 x 15.3 x 8 cm. Image courtesy of 101. 7. Talal Al Najjar, Tuwatam (Double-Headed), 2020. 33 x 12 x 10.2 cm. Image courtesy of 101.  




101’s second sale gives me the possibility to share my work directly with art collectors, the wider art market, and art communities in the Gulf and beyond.


- Talal Al Najjar



The experiential offer put together by 101 is a reflection of the UAE’s emerging grassroots movement. Vilma Jurkute, Director of Alserkal and its initiatives, remarks that “Alserkal’s artistic inquiry always stems from socially engaged, experimental, grounded in-context practices. 101 is a thoughtful reflection of a youth led collaborative platform that is challenging the traditional codings of the arts ecosystem, by taking over the public space of Alserkal Avenue through its alternative public programme and approach to exhibition making.”



101 is a thoughtful reflection of a youth led collaborative platform that is challenging the traditional codings of the arts ecosystem.


- Vilma Jurkute


9. Nasir Nasrallah, Vegetable Market Series, 2019. Acrylic on paper. 70cm x 100cm. Image courtesy of 101.  10. Nasir Nasrallah, Vegetable Market Series, 2019. Acrylic on paper. 70cm x 100cm. Image courtesy of 101. 


Alongside the sale, 101 debuts its public programming initiatives all ending at 1:01am. The opening on November 21 includes a Flashlight-guided Viewing of the artworks. To activate Alserkal late into the night, on Sunday 22 and Tuesday 24, visitors can join Creative Writing and Discussion Sessions starting at 11:30pm. On Friday 27, participants can join artist Talal Al Najjar for an Introductory Sculpture Workshop with found objects and recycled goods. In parallel, the 101 Conversations Podcast and original research papers launch on November 21 on 101’s website



Visit 101’s website.
Follow 101 on Instagram.
Book a slot to visit the sale and 101’s public programs in Alserkal Avenue.

COVID-19 Note:
Visitors are encouraged to book their slot via the booking link. Exhibition spaces are managed according to current health regulations and disinfected regularly. Hand disinfectant and face masks are provided if needed. For additional information on health and safety regulations, please refer to announcements by local authorities.