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  1. Editor’s Note
  2. What’s On in SEL
  3. Pop(Corn): Chan Sook Choi
  4. Rapport: Seoul
  5. When Everything You Touch Bursts into Flames: Olivia Rode Hvass at 00.00 Gallery
  6. Embracing Multiplicities: The 2023 Korea Artist Prize Exhibition
  7. On (Be)Holding Life that Pulsates in Overlooked Places: Jahyun Park at Hapjungjigu
  8. Beauty, Transformation, and the Grotesque: Nathalie Djurberg & Hans Berg on their Exhibition at SongEun Art Space
  9. Presenting Ecofeminist Imaginaries: Ji Yoon Yang on Alternative Space LOOP

E-08++
Summer/Fall 2024



Exhibition September 19th, 2024
PUS In the Dark Every Light is Blinding: Busan Biennale 2024

Exhibition September 7th, 2024
SEL Quick Glances at Frieze Seoul 2024

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Open Call ––

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Newsletter ––




Chronological Archive ––

    Selected Archive

Artist Interview November 18th, 2016
 AUH Raed Yassin in Abu Dhabi

Editorial March 1st, 2018
 AUH Abu Dhabi Is The New Calabasas

Exhibition Listing May 22nd, 2018
 DXB Christopher Benton: If We Don't Reclaim Our History, The Sand Will

Artist Interview June 15th, 2018
 TYO An Interview with BIEN, a Rising Japanese Artist

Artist Interview July 17th, 2018
 TYO Rintaro Fuse on Selfies and Cave Painting

Artist Interview August 28th, 2018
 BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”

Artist Interview September 1st, 2018
 NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev

Artist Interview September 1st, 2018
 PAR Hottest Spices: Michèle Lamy

E-Issue 01 –– AUH/DXB
Summer 2020

August 1st, 2020



  1. Editor’s Note
  2. What’s On in the UAE
  3. Pop(Corn): Hashel Al Lamki
  4. Tailoring in Abu Dhabi
  5. Rapport: Dubai
  6. Michael Rakowitz From the Diaspora


E-01++
Fall/Winter 2020-21


Artist Interview August 23rd, 2020
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism

Artist Interview August 24th, 2020
DXB Augustine Paredes Taking Up Space

Artist Interview August 26th, 2020
AUH Sarah Almehairi Initiates Conversations

Market Interview August 28th, 2020
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting

Exhibition September 1st, 2020
DXB Alserkal Arts Foundation Presents Mohamed Melehi

Market Interview September 4th, 2020
DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’

Artist Interview September 7th, 2020
 DXB Taaboogah Infuses Comedy Into Khaleeji Menswear

Artist Interview September 10th, 2020
 LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia

Curator Interview September 14th, 2020
UAE Tawahadna Introduces MENA Artists to a Global Community

Exhibition Review September 24th, 2020
MIA a_part Gives Artists 36 Hours to React

Artist Interview September 27th, 2020
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh

Market Interview October 14th, 2021
DXB Thaely Kicks Off Sustainable Sneakers

Exhibition Review October 19th, 2020
DXB Do You See Me How I See You?

Exhibition October 22nd, 2020
TYO James Jarvis Presents Latest Collages at 3110NZ

Exhibition Review October 22nd, 2020
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE

Book Review October 28th, 2020
DAM Investigating the Catalogues of the National Museum of Damascus

Exhibition Review November 13th, 2020
DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre

Exhibition Review November 16th, 2021
DXB Melehi’s Waves Complicate Waving Goodbye

Exhibition Review November 19th, 2020
DXB Spotlight on Dubai Design Week 2020

Exhibition Review November 21st, 2020
DXB 101 Strikes Again with Second Sale at Alserkal Avenue

Exhibition Review
November 23rd, 2020
AUH SEAF Cohort 7 at Warehouse 421

Exhibition Review December 9th, 2020
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer

Curator Interview January 25th, 2021
DXB Sa Tahanan Collective Redefines Home for Filipino Artists

Exhibition Review February 21st, 2021
 GRV MIA Anywhere Hosts First Virtual Exhibition of Female Chechen Artists  

🎙️GAD Talk Series –– Season 1 2020


November 1st, 2020
 1. What is Global Art Daily? 2015 to Now

November 16th, 2020
2. Where is Global Art Daily? An Open Coversation on Migration as Art Practitioners

November 29th, 2020
 3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover

December 20th, 2020
 4. Young Curators in Tokyo: The Making of The 5th Floor

January 27th, 2021
5. How To Create Digital Networks in The Art World?

E-Issue 02 –– NYC
Spring 2021

February 21st, 2021



  1. Editor’s Note
  2. What’s On in NYC
  3. Pop(Corn): Zeid Jaouni
  4. You Can Take The Girl Out Of The City
  5. Rapport: NYC
  6. Kindergarten Records Discuss The Future of Electronic Music
  7. Sole DXB Brings NY Hip-Hop To Abu Dhabi
  8. Wei Han Finds ‘Home’ In New York
  9. Vikram Divecha: Encounters and Negotiations

E-02++
Spring/Summer 2021

Exhibition Review March 3rd, 2021
DXB There’s a Hurricane at the Foundry

Exhibition Review March 7th, 2021
AUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421

Curator Interview March 21st, 2021
DXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art Foundation

Exhibition March 28th, 2021
DXB Alserkal Art Week Top Picks

Exhibition Review April 1st, 2021
DXB A ‘Menu Poem’ and All That Follows

Exhibition Review April 5th, 2021
DXB A Riot Towards Landscapes

Exhibition April 16th, 2021
RUH Noor Riyadh Shines Light on Saudi Arabia’s 2030 Art Strategy

Artist Interview April 26th, 2021
CTU/AUH/YYZ Sabrina Zhao: Between Abu Dhabi, Sichuan, and Toronto

Exhibition Review April 27th, 2021
TYO BIEN Opens Two Solo Exhibitions in Island Japan and Parcel

Artist Interview April 28th, 2021
DXB Ana Escobar: Objects Revisited

Exhibition May 9th, 2021
LDN Fulfilment Services Ltd. Questions Techno-Capitalism on Billboards in London

Artist Interview May 11th, 2021
BAH Mihrab: Mysticism, Devotion, and Geo-Identity

Curator Interview May 20th, 2021
DXB There Is A You In The Cloud You Can’t Delete: A Review of “Age of You” at Jameel Arts Centre

Market Interview May 26th, 2021
TYO Startbahn, Japan’s Leading Art Blockchain Company, Builds a New Art Infrastructure for the Digital Age

Exhibition June 11th, 2021
TYO “Mimicry of Hollows” Opens at The 5th Floor

Exhibiton Review June 20th, 2021
AUH “Total Landscaping”at Warehouse 421

Artist Interview June 30th, 2021
OSA Rintaro Fuse Curates “Silent Category” at Creative Center Osaka

Exhibition Review August 9th, 2021
 DXB “After The Beep”: A Review and Some Reflections

E-Issue 03 ––TYO
Fall 2021

October 1st, 2022



  1. Editor’s Note
  2. What’s On in TYO
  3. Pop(Corn): Nimyu
  4. Ahmad The Japanese: Bady Dalloul on Japan and Belonging
  5. Rapport: Tokyo
  6. Alexandre Taalba Redefines Virtuality at The 5th Floor
  7. Imagining Distant Ecologies in Hypersonic Tokyo: A Review of “Floating Between the Tropical and Glacial Zones”
  8. Ruba Al-Sweel Curates “Garden of e-arthly Delights” at SUMAC Space
  9. Salwa Mikdadi Reflects on the Opening of NYU Abu Dhabi’s Arab Center for the Study of Art

E-03++
Fall/Winter 2021-22


Market Interview October 6th, 2021
RUH HH Prince Fahad Al Saud Discusses Saudi Arabia’s Artistic Renaissance

Exhibition October 7th, 2021
RUH Misk Art Institute’s Annual Flagship Exhibition Explores the Universality of Identity

Curator Interview October 15th, 2021
IST “Once Upon a Time Inconceivable”: A Review and a Conversation

Exhibition Review October 16th, 2021
AUH Woman as a Noun, and a Practice: “As We Gaze Upon Her” at Warehouse421


Exhibition Review February 11th, 2022

Artist Interview February 26th, 2022
TYO Akira Takayama on McDonald’s Radio University, Heterotopia, and Wagner Project

Artist Interview March 10th, 2022
DXB Prepare The Ingredients and Let The Rest Flow: Miramar and Zaid’s “Pure Data” Premieres at Satellite for Quoz Arts Fest 2022

Exhibition March 11th, 2022
DXB Must-See Exhibitions in Dubai - Art Week Edition 2022

Exhibition Review March 14th, 2022
DXB Art Dubai Digital, An Alternative Art World?

E-Issue 04 –– IST
Spring 2022

March 15th, 2022



  1. Editor’s Note
  2. What’s On in IST
  3. Pop(Corn): Refik Anadol
  4. Rapport: Istanbul
  5. Independent Spaces in Istanbul: Sarp Özer on Operating AVTO

E-04++
Spring/Summer 2022


Curator Interview March 21st, 2022

Market Interview March 28th, 2022
DXB Dubai's Postmodern Architecture: Constructing the Future with 3dr Models

Exhibition April 23rd, 2022
HK Startbahn Presents “Made in Japan 3.0: Defining a New Phy-gital Reality”, an NFT Pop-Up at K11 Art Mall

Exhibition May 6th, 2022
IST Istanbul’s 5533 Presents Nazlı Khoshkhabar’s “Around and Round”

Artist Interview May 13th, 2022
DXB “We Are Witnessing History”: Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian On Their Retrospective Exhibition at NYU Abu Dhabi Art Gallery

Artist Interview June 13th, 2022
DXB “Geometry is Everywhere”: An Interview and Walking Tour of Order of Magnitude, Jitish Kallat’s Solo Exhibition at Dubai’s Ishara Art Foundation

Exhibition June 21st, 2022
DXB Art Jameel Joins The World Weather Network in a Groundbreaking Response to Global Climate Crisis

Exhibition June 27th, 2022
UAE What’s On in the UAE: Our Top Summer Picks

Curator Interview July 9th, 2022
IST Creating an Artist Books Library in Istanbul: Aslı Özdoyuran on BAS

E-Issue 05 –– VCE
Fall 2022

September 5th, 2022



  1. Editor’s Note
  2. What’s On in VCE
  3. Pop(Corn): UAE National Pavilion
  4. Rapport: Venice
  5. Zeitgeist of our Time: Füsun Onur for the Turkish Pavilion at the 59th Venice Biennale
  6. GAD’s Top Picks: National Pavilions
  7. Strangers to the Museum Wall: Kehinde Wiley’s Venice Exhibition Speaks of Violence and Portraiture
  8. Questioning Everyday Life: Alluvium by Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian at OGR Torino in Venice

E-05++
Fall/Winter 2022-23


Market Interview June 28th, 2022
HK How Pearl Lam Built Her Gallery Between China and Europe

Exhibition November 11th, 2022
TYO “Atami Blues” Brings Together UAE-Based and Japanese Artists in HOTEL ACAO ANNEX

Exhibition December 2nd, 2022
TYO Wetland Lab Proposes Sustainable Cement Alternative in Tokyo

Artist Interview December 9th, 2022
DXB Navjot Altaf Unpacks Eco-Feminism and Post-Pandemic Reality at Ishara Art Foundation

Artist Interview January 8th, 2023
TYO Shu Yonezawa and the Art of Animation

Artist Interview January 19th, 2023
NYC Reflecting on Her Southwestern Chinese Bai Roots, Peishan Huang Captures Human Traces on Objects and Spaces

Exhibition Review February 9th, 2023
DXB Augustine Paredes Builds His Paradise Home at Gulf Photo Plus

Artist Interview February 22nd, 2023
DXB Persia Beheshti Shares Thoughts on Virtual Worlds and the State of Video Art in Dubai Ahead of Her Screening at Bayt Al Mamzar

E-Issue 06 –– DXB/SHJ
Spring 2023

April 12th, 2023



  1. Editor’s Note
  2. What’s On in the UAE
  3. Pop(Corn): Jumairy
  4. Rapport: Art Dubai 2023
  5. Highlights from Sharjah Biennial 15
  6. Is Time Just an Illusion? A Review of "Notations on Time" at Ishara Art Foundation
  7. Saif Mhaisen and His Community at Bayt AlMamzar









DXB Christopher Joshua Benton to Debut Mubeen, City as Archive at The Third Line Shop in Collaboration with Global Art Daily

E-Issue 07 –– AUH
Winter 2023-24

January 29th, 2024



  1. Editor’s Note
  2. What’s On in Abu Dhabi/Dubai
  3. Cover Interview: Shaikha Al Ketbi on Darawan
  4. Rapport: Public Art in the Gulf and a Case Study of Manar Abu Dhabi
  5. Hashel Al Lamki’s Survey Exhibition Maqam Reflects on a Decade of Practice in Abu Dhabi
  6. “You Can’t Stand on a Movement”: Michelangelo Pistoletto Interviews Benton Interviewing Pistoletto

E-07++
Winter/Spring 2024


Exhibition Review July 16, 2024
PAR See Me With Them Hands: Reviewing Giovanni Bassan’s “Private Rooms” at Sainte Anne Gallery

Curators Interview May 14, 2024
AUH Embracing Change through an Open System: Maya Allison and Duygu Demir on “In Real Time” at NYUAD Art Gallery

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Mark

Highlights from the 2024 Diriyah Contemporary Art Biennial 


By Sophie Mayuko Arni
Published on March 14, 2024


1. After Rain, Diriyah Contemporary Art Biennale 2024, installation view, outdoors, Ângela Ferreira, Zip Zap Circus (2000–ongoing), left; Anne Holtrop, Glass to Stone (2024). Photo by Marco Cappellettii, courtesy of Diriyah Biennale Foundation.

        The second edition of the Diriyah Contemporary Art Biennial, titled After Rain, opened in Riyadh last month and runs through May 24th, 2024. The title alludes to the very moment after rain fall, or the smell of petrichor. As the curatorial statement describes it, “After Rain is a scent that comes from the ground. Moments before it rains—and lingering on well after—a pleasant, earthy odor permeates the air.” After Rain is also a metaphor for a contemporary art biennial set in a city that is undergoing rapid change.

Organized by the Diriyah Biennale Foundation, the biennial is led by Artistic Director Ute Meta Bauer, alongside co-curators Wejdan Reda, Curator of the Diriyah Biennale Foundation, Rose Lejeune, Anca Rujoiu, and Ana Salazar, as well as Adjunct Curator Rahul Gudipudi. Set in the JAX district of Diriyah historical center, part-industrial warehouse, part-historical heritage site, the Biennial was arguably the place to be the glorious opening night on February 19th, 2024. Hundreds of international and local VIPs were gathered to hear opening remarks from the Foundation’s leadership and Artistic Director.

2. Diriyah Contemporary Art Biennale 2024 Opening event, 19-02-2024 - Photo by Marco Cappellletti, Courtesy Diriyah Biennale Foundation.

The biennial feels rooted in post-Western curatorial frameworks, as Bauer has been leading the Centre for Contemporary Art in Singapore for the past decade. I thought back to the last edition of documenta 15, curated by Jakarta-based collective ruangrupa, as the biennial is meant to be a site for constant learning and activation, with site-specific installations meant as spaces to gather in between the exhibition halls. We truly live in a new world post-1989 and post-Les Magiciens de la Terre, where the curatorial baseline is not Eurocentric anymore. Similarly to the UAE, we are witnessing the new writing of a global contemporary art history from the Global South.

Occupying six halls across 12,900 square meters, the biennial also solidly combines pristine scenography and the quality of installations you would expect to see at an institutional biennial in the Gulf. Comparing it to Sharjah Biennial is tempting, but the two biennials can’t simply be placed side to side. Diriyah Biennial is only in its second edition, while Sharjah’s is going into its sixteenth. A lot has to be done to catch up to the level of artistic and intellectual cross-cultural dialogues, but speed is Saudi’s forte.

3. After Rain, Diriyah Contemporary Art Biennale 2024, installation view, Nabila Al Bassam, multiple works, front; multiple works by Rasheed Araeen, Hassan Sharif, Safeya Binzagr in background. Photo by Marco Cappellettii, courtesy of Diriyah Biennale Foundation.

For the past year, we can’t deny that ecology and environmental concerns have been at the forefront of intellectual discourse and artistic activations in the region: ideas of sustainability, circularity, and avoiding further climate crises have framed most, if not all, major institutional exhibitions and programming in the region since last December, particularly in Dubai, as the city hosted COP28.

After Rain feels timely in this sense, but also provides a breath of fresh air with an Asian perspective on this topic, set in Riyadh. The curatorial committee is also female-led, and I was pleased to see works from female artists at the very forefront of this biennial.

Below are some noteworthy installations:

Armin Linke & Ahmed Mater, Saudi Futurism (2024)


4.After Rain, Diriyah Contemporary Art Biennale 2024, installation view, Armin Linke & Ahmed Mater, Saudi Futurism (2024). Photo by Marco Cappellettii, courtesy of Diriyah Biennale Foundation.

Christine Fenzl, Women of Riyadh (2023)


5 .After Rain, Diriyah Contemporary Art Biennale 2024, installation view, Christine Fenzl, Women of Riyadh (2023). Photo by the author.


Taus Makhacheva, Charivari (2019)


6 .After Rain, Diriyah Contemporary Art Biennale 2024, installation view, Taus Makhacheva, Charivari (2019). Photo by the author.

Hamra Abbas, Mountain 5 (2023)



7.After Rain, Diriyah Contemporary Art Biennale 2024, installation view, Hamra Abbas, Mountain 5 (2023). Photo by the author.

Alia Farid, In Lieu of What Was (2019)


8.After Rain, Diriyah Contemporary Art Biennale 2024, installation view, Alia Farid, In Lieu of What Was (2019). Photo by the author.

Sara Abdu, Now That I’ve Lost You in My Dreams, Where Do We Meet? (2021-24)


9. After Rain, Diriyah Contemporary Art Biennale 2024, installation view, Sara Abdu, Now That I’ve Lost You In My Dreams Where Do We Meet? (2021/2024). Photo by Marco Cappellettii, courtesy of Diriyah Biennale Foundation.

Joan Jonas, Reanimation (2010-2012-2012)


10.After Rain, Diriyah Contemporary Art Biennale 2024, installation view, Joan Jonas, Reanimation (2010-2012-2012). Photo by the author.


Rossella Biscotti, Annalies / Mei / Princess of Kasiruta / Sanikem–Nyai Ontosoroh–Made Le Boucq / Surati / Maiko (2019-22)


11. After Rain, Diriyah Contemporary Art Biennale 2024, installation view, Rossella Biscotti, Annalies / Mei / Princess of Kasiruta / Sanikem–Nyai Ontosoroh–Made Le Boucq / Surati / Maiko (2019-22). Photo by the author.


El Anatsui, Logolili Logarithm (2019)


12. After Rain, Diriyah Contemporary Art Biennale 2024, installation view, El Anatsui, Logoligi Logarithm (2019), detail. Photo by Marco Cappellettii, courtesy of Diriyah Biennale Foundation.

The 2024 Diriyah Contemporary Art Biennial is on view in Diriyah, JAX District, Riyadh, Saudi Arabia until May 24, 2024.
More information

List of Artists:

Hamra Abbas, Jumana Emil Abboud, Sara Abdu, Irene Agrivina, Alia Ahmad, Azra Akšamija, Nabila Al Bassam, Tara Aldughaither & Joe Namy, Rasha Al-Duwaisan, Mohammad AlFaraj, Dhali Al Mamoon, Reem Al Nasser, Daniah AlsSaleh, Abdulrahman Al-Soliman, Aseel AlYaqoub, El Anatsui, Nazgol Ansarinia, Rasheed Araeen, Siah Armajani, Andrius Arutiunian, Martha Atienza, Tarek Atoui, Dana Awartani, Asma Bahmim, bahraini—danish, Sammy Baloji, Zarina Bhimji, Ursula Biemann, Safeya Binzagr, Rossella Biscotti, Bricklab, Britto Arts Trust, Muhanned Cader, María Magdalena Campos-Pons, Cercle d’Art des Travailleurs de Plantation Congolaise, Rachaporn Choochuey, Tiffany Chung, Ade Darmawan, Priyageetha Dia, Vikram Divecha, Ibrahim El-Salahi, Alexander Eriksson Furunes & Sudar Khadka, Alia Farid, Christine Fenzl, Ângela Ferreira, Simryn Gill, Anne Holtrop, Hiba Ismail, Saodat Ismailova, Joan Jonas, Susanne Kriemann, Liang Shaoji, Armin Linke & Ahmed Mater, Liu Chuang, Mariah Lookman, Nidhi Mahajan & Moad Musbahi, Taus Makhacheva, Robin Meier Wiratunga, The Migrant Ecologies Project, Małgorzata Mirga-Tas, Regina Maria Möller, James Morris, Tania Mouraud, Zarina Muhammad, Dala Nasser, Hind Nasser, Hussein Nassereddine, Filwa Nazer, Nguyễn Trinh Thi, NJOKOBOK, Elia Nurvista, Phi Phi Oanh, Lucy + Jorge Orta, Jorge Otero-Pailos, Sopheap Pich, Marjetica Potrč, Lala Rukh, Arin Rungjang, Tomás Saraceno, Citra Sasmita, Seher Shah, Hassan Sharif, Shooshie Sulaiman, syn architects, Tang Da Wu, Paulo Tavares / autonoma, TAYYŪN, Sissel Tolaas, Anaïs Tondeur, Mona Vătămanu & Florin Tudor, Suzann Victor, Munem Wasif, Ines Weizman, Jana Winderen, Yang Fudong, Yeo Siew Hua, Liam Young, Camille Zakharia, Samia Zaru, Feifei Zhou.

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