E-Issue 01 –– AUH/DXB
Summer/Fall 2020
- Editor’s Note
- What’s On in the UAE
- Pop(Corn): Hashel Al Lamki
- Tailoring in Abu Dhabi
- Rapport: Dubai
- Michael Rakowitz From the Diaspora
NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev
PAR Hottest Spices: Michèle Lamy
BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”
AUH Abu Dhabi Is The New Calabasas
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DXB Sa Tahanan Collective Redefines Home for Filipino Artists
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer
AUH SEAF Cohort 7 at Warehouse 421
DXB 101 Strikes Again with Second Sale at Alserkal Avenue
DXB Spotlight on Dubai Design Week 2020
DXB Melehi’s Waves Complicate Waving Goodbye
DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre
DAM Investigating the Catalogues of the National Museum of Damascus
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE
TYO James Jarvis Presents Latest Collages at 3110NZ
DXB Do You See Me How I See You?
DXB Thaely Kicks Off Sustainable Sneakers
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh
MIA a_part Gives Artists 36 Hours to React
UAE Tawahadna Introduces MENA Artists to a Global Community
LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia
DXB Taaboogah Infuses Comedy Into Khaleeji Menswear
DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’
DXB Alserkal Arts Foundation Presents Mohamed Melehi
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting
AUH Sarah Almehairi Initiates Conversations
DXB Augustine Paredes Taking Up Space
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism
BEY GAD Map: Arts & Culture Relief for Beirut
E-Issues Info ––
1. Mission
2. Schedule
3. Editorial Board
4. Contributors
GAD Info ––
1. About Global Art Daily
2. Archive
GAD Talk Series ––
1. What is GAD? 2015 to Now
2. Where is GAD? An Open Coversation on Migration as Art Practitioners
3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover
4. Young Curators in Tokyo: The Making of The 5th Floor
5. How To Create Digital Networks in The Art World?
Open Call ––
Policy
Open Call — Policy
We welcome submissions throughout the year in the form of article pitches, written manuscripts, portfolio presentations, lookbooks, and press releases for new exhibitions and events.
Global Art Daily’s Instagram page will be the main platform to highlight Open Call submissions in between the releases of E-Issues. Submissions may also be considered for publication in current E-Issues.
Reviewed by our Editorial Board
We carefully review every submission we receive and decide as a team whether to go forward with publication. For selected submissions, we will consult on which publication format would best suited and suggest any edits before publication.
Geographical Reach
We do not have any geographical restrictions. Please submit from anywhere in the world. Our multilingual team will assist you.
However, we will follow the general guideline of our E-Issues Schedule when selecting and curating submissions. For the Summer and Fall 2020, we are favoring submissions from the UAE and the broader Middle East, including from the global Arab diaspora. To be of Arab origin is not necessary. A meaningful connection to the Middle East and/or Arab culture is sufficient.
Types of Submissions
We accept the following submissions:
From Art/Cultural Critics:
- Article Manuscripts in English, Spanish, French, German, and Japanese
- Pitches for in-depth articles on a specific city’s art scene
From Artists:
- Texts: Poems, Essays, Reflections, Manifesto
- Images: High-Resolution Images of Original Artwork(s)
- Video and Audio Recordings
From Galleries and Museums:
- Press Releases for Upcoming Exhibitions
- Press Releases for New Space Openings
Get in Touch
If you fall within these categories, please send your submission to info@globalartdaily.com with the subject title "Open Call Submission". A member of the Global Art Daily team will be in touch shortly.