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E-Issue 01 –– AUH/DXB 
Summer/Fall 2020 
  1. Editor’s Note 
  2. What’s On in the UAE
  3. Pop(Corn): Hashel Al Lamki
  4. Tailoring in Abu Dhabi  
  5. Rapport: Dubai 
  6. Michael Rakowitz From the Diaspora
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    NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev 
    PAR Hottest Spices: Michèle Lamy
    BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”
   AUH Abu Dhabi Is The New Calabasas
++ 
    DXB Sa Tahanan Collective Redefines Home for Filipino Artists
   SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer
    AUH SEAF Cohort 7 at Warehouse 421 
    DXB 101 Strikes Again with Second Sale at Alserkal Avenue
    DXB Spotlight on Dubai Design Week 2020
    DXB Melehi’s Waves Complicate Waving Goodbye
    DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre
    DAM Investigating the Catalogues of the National Museum of Damascus
    AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE
    TYO James Jarvis Presents Latest Collages at 3110NZ
    DXB Do You See Me How I See You?
    DXB Thaely Kicks Off Sustainable Sneakers
    AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh
    MIA a_part Gives Artists 36 Hours to React
    UAE Tawahadna Introduces MENA Artists to a Global Community
    LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia
    DXB Taaboogah Infuses Comedy Into Khaleeji Menswear
    DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’
    DXB Alserkal Arts Foundation Presents Mohamed Melehi
     AUH/DXB 101 Pioneers Ethical and Curious Art Collecting
    AUH Sarah Almehairi Initiates Conversations
    DXB Augustine Paredes Taking Up Space
    LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism
    BEY GAD Map: Arts & Culture Relief for Beirut

E-Issues Info ––
     1. Mission
    2. Schedule
    3. Editorial Board
    4. Contributors
 
GAD Info ––
    1. About Global Art Daily
    2. Archive

GAD Talk Series ––
    1. What is GAD? 2015 to Now
    2. Where is GAD? An Open Coversation on Migration as Art Practitioners
    3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover
   4. Young Curators in Tokyo: The Making of The 5th Floor
    5. How To Create Digital Networks in The Art World?

Open Call ––
    Policy



Main website ︎
Mark

GAD Info — Archive


1. TRA$HY Clothing Advertorial for GAD Magazine Issue 02, All Girls Are Spicy (Fall 2018). Full magazine online.
2. Blair Cannon, “American Beauty”, in GAD Magazine Issue 02, All Girls Are Spicy (Fall 2018), pp.50-61. Full magazine online.

3. Julia Saubier, “TOQA”, in GAD Magazine Issue 02, All Girls Are Spicy (Fall 2018), pp.86-89. Full magazine online

4. Sophie Arni, “Slavs and Tatars: Pulling a Thread to Undo the Sweater”, August 28, 2018. Full article online. Image: Slavs and Tatars, Saalbadereien Bathhouse Quackeries. Installation view, Westfälischer Kunstverein. Photo: Thorsten Arendt. Courtesy Third Line Gallery.

5. Charlotte de Bekker, “032c Workshop Presents What We Believe”, May 12th, 2018. Full article online. Image: 032c What We Believe, Presentation/Pop-up Shop at Berlin Gallery Weekend, April 27 - 29, 2018. Installation view, 032c Workshop. Photo: Charlotte de Bekker

6. Sophie Arni, “Raed Yassin in Abu Dhabi”, November 18th, 2016. Full article online. Image: Raed Yassin, War of the Hotels (part of China series), 2012. Hard-paste porcelain, ink. Jingdezhen, China. Abraaj Group Art Prize Collection, Dubai. Courtesy of the artist.

For more, please refer to Global Art Daily’s archive.

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