E-Issue 02 –– NYC Spring 2021
- Editor’s Note
- What’s On in NYC
- Pop(Corn): Zeid Jaouni
- You Can Take The Girl Out Of The City
- Rapport: NYC
- Kindergarten Records Discuss The Future of Electronic Music
- Sole DXB Brings NY Hip-Hop To Abu Dhabi
- Wei Han Finds ‘Home’ In New York
- Vikram Divecha: Encounters and Negotiations
E-02++ Spring/Summer 2021
OSA Rintaro Fuse Curates “Silent Category” at Creative Center Osaka
AUH “Total Landscaping”at Warehouse 421
TYO “Mimicry of Hollows” Opens at The 5th Floor
TYO Startbahn, Japan’s Leading Art Blockchain Company, Builds a New Art Infrastructure for the Digital Age
DXB There Is A You In The Cloud You Can’t Delete: A Review of “Age of You” at Jameel Arts Centre
BAH Mihrab: Mysticism, Devotion, and Geo-Identity
LDN Fulfilment Services Ltd. Questions Techno-Capitalism on Billboards in London
DXB Ana Escobar: Objects Revisited
TYO BIEN Opens Two Solo Exhibitions in Island Japan and Parcel
CTU/AUH/YYZ Sabrina Zhao: Between Abu Dhabi, Sichuan, and Toronto
RUH Noor Riyadh Shines Light on Saudi Arabia’s 2030 Art Strategy
DXB A Riot Towards Landscapes
DXB A ‘Menu Poem’ and All That Follows
DXB Alserkal Art Week Top Picks
DXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art Foundation
AUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421
DXB There’s a Hurricane at the Foundry
E-Issue 01 –– AUH/DXB Summer 2020
- Editor’s Note
- What’s On in the UAE
- Pop(Corn): Hashel Al Lamki
- Tailoring in Abu Dhabi
- Rapport: Dubai
- Michael Rakowitz From the Diaspora
E-01++ Fall/Winter 2020-21
GRV MIA Anywhere Hosts First Virtual Exhibition of Female Chechen Artists
DXB Sa Tahanan Collective Redefines Home for Filipino Artists
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer
AUH SEAF Cohort 7 at Warehouse 421
DXB 101 Strikes Again with Second Sale at Alserkal Avenue
DXB Spotlight on Dubai Design Week 2020
DXB Melehi’s Waves Complicate Waving Goodbye
DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre
DAM Investigating the Catalogues of the National Museum of Damascus
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE
TYO James Jarvis Presents Latest Collages at 3110NZ
DXB Do You See Me How I See You?
DXB Thaely Kicks Off Sustainable Sneakers
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh
MIA a_part Gives Artists 36 Hours to React
UAE Tawahadna Introduces MENA Artists to a Global Community
LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia
DXB Taaboogah Infuses Comedy Into Khaleeji Menswear
DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’
DXB Alserkal Arts Foundation Presents Mohamed Melehi
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting
AUH Sarah Almehairi Initiates Conversations
DXB Augustine Paredes Taking Up Space
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism
BEY GAD Map: Arts & Culture Relief for Beirut
E-Issues Info ––
1. Mission
2. Schedule
3. Editorial Board
4. Contributors
GAD Info ––
1. About Global Art Daily
2. Archive
§§ Year 2018
NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev
PAR Hottest Spices: Michèle Lamy
BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”
AUH Abu Dhabi Is The New Calabasas
GAD Talk Series ––
1. What is GAD? 2015 to Now
2. Where is GAD? An Open Coversation on Migration as Art Practitioners
3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover
4. Young Curators in Tokyo: The Making of The 5th Floor
5. How To Create Digital Networks in The Art World?
Open Call ––
Policy
GAD Talk Series –– #4
GAD Talk Series #4: Young Curators in Tokyo: The Making of The 5th Floor
December 20th, 2020
4pm AUH / 4pm DXB / 9pm TYOYoutube Livestream link: https://youtu.be/MSpZyXMmHFA
Join us for a conversation on The 5th Floor, a newly-opened alternative art space in East Tokyo, Japan, specialized in unique and experimental curating. This is our fourth edition of the GAD Talk Series, which will foster dialogues in the global art world during this pandemic. The topic of this conversation is "Young Curators in Tokyo: The Making of The 5th Floor.” Topics explored include: How are independent curators supported in Japan? Is Tokyo’s art scene open to international collaborators? What does it take to hold an exhibition in Japan as an emerging artist/curator? How did the pandemic affect Tokyo’s alternative art spaces? Organized as an open discussion, this panel will be live-streamed on Global Art Daily's Youtube channel and will welcome live questions from the audience.
Panel:
Jukan Tateisi, Director Representative / Artist, The 5th Floor (Tokyo)Yuu Takagi, Co-Director / Curator, The 5th Floor (Tokyo)