E-Issue 02 –– NYC Spring 2021
  1. Editor’s Note
  2. What’s On in NYC
  3. Pop(Corn): Zeid Jaouni
  4. You Can Take The Girl Out Of The City 
  5. Rapport: NYC
  6. Kindergarten Records Discuss The Future of Electronic Music
  7. Sole DXB Brings NY Hip-Hop To Abu Dhabi
  8. Wei Han Finds ‘Home’ In New York
  9. Vikram Divecha: Encounters and Negotiations

E-02++ Spring/Summer 2021
DXB “After The Beep”: A Review and Some Reflections
OSA Rintaro Fuse Curates “Silent Category” at Creative Center Osaka
AUH “Total Landscaping”at Warehouse 421
TYO “Mimicry of Hollows” Opens at The 5th Floor
TYO Startbahn, Japan’s Leading Art Blockchain Company, Builds a New Art Infrastructure for the Digital Age
DXB There Is A You In The Cloud You Can’t Delete: A Review of “Age of You” at Jameel Arts Centre
BAH Mihrab: Mysticism, Devotion, and Geo-Identity
LDN Fulfilment Services Ltd. Questions Techno-Capitalism on Billboards in London
DXB Ana Escobar: Objects Revisited
TYO BIEN Opens Two Solo Exhibitions in Island Japan and Parcel
CTU/AUH/YYZ Sabrina Zhao: Between Abu Dhabi, Sichuan, and Toronto
RUH Noor Riyadh Shines Light on Saudi Arabia’s 2030 Art Strategy
DXB A Riot Towards Landscapes
DXB A ‘Menu Poem’ and All That Follows
DXB Alserkal Art Week Top Picks 
DXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art Foundation
AUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421
DXB There’s a Hurricane at the Foundry

E-Issue 01 –– AUH/DXB Summer 2020 
  1. Editor’s Note 
  2. What’s On in the UAE
  3. Pop(Corn): Hashel Al Lamki
  4. Tailoring in Abu Dhabi
  5. Rapport: Dubai 
  6. Michael Rakowitz From the Diaspora

E-01++ Fall/Winter 2020-21
GRV MIA Anywhere Hosts First Virtual Exhibition of Female Chechen Artists    
DXB Sa Tahanan Collective Redefines Home for Filipino Artists
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer
AUH SEAF Cohort 7 at Warehouse 421 
DXB 101 Strikes Again with Second Sale at Alserkal Avenue
DXB Spotlight on Dubai Design Week 2020
DXB Melehi’s Waves Complicate Waving Goodbye
DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre
DAM Investigating the Catalogues of the National Museum of Damascus
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE
TYO James Jarvis Presents Latest Collages at 3110NZ
DXB Do You See Me How I See You?
DXB Thaely Kicks Off Sustainable Sneakers
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh
MIA a_part Gives Artists 36 Hours to React

UAE Tawahadna Introduces MENA Artists to a Global Community
LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia
DXB Taaboogah Infuses Comedy Into Khaleeji Menswear
DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’
DXB Alserkal Arts Foundation Presents Mohamed Melehi
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting
AUH Sarah Almehairi Initiates Conversations
DXB Augustine Paredes Taking Up Space
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism
BEY GAD Map: Arts & Culture Relief for Beirut

E-Issues Info
    1. Mission
    2. Schedule

    3. Editorial Board
    4. Contributors
GAD Info ––
    1. About Global Art Daily
    2. Archive
§§ Year 2018
    NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev
    PAR Hottest Spices: Michèle Lamy
    BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”
   AUH Abu Dhabi Is The New Calabasas

GAD Talk Series ––
    1. What is GAD? 2015 to Now

    2. Where is GAD? An Open Coversation on Migration as Art Practitioners

    3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover
   4. Young Curators in Tokyo: The Making of The 5th Floor
    5. How To Create Digital Networks in The Art World?

Open Call ––

Main website ︎


GAD Map: Arts & Culture Relief for Beirut

By Sarah Daher

Published on August 16, 2020

Map by Global Art Daily’s Editorial Board

        2020 will forever be remembered as the year when everything that could have gone wrong did. For many, the feelings of hopelessness this year’s tragedies brought with them were new and confusing. For the people of Lebanon, both the 4 million within its borders and the 14 million scattered across the globe, those feelings were unfortunately most familiar. As a young Lebanese creative living abroad in London, my physical removedness from Beirut’s blast a few weeks ago did nothing to quell the grief, anger, and distress that erupted in every Lebanese person in an unprecedented way on August 4th.

Galleries, museums, studios, bookstores, artist haunts, and designers that were the beating heart of the Beiruti scene are in urgent need of donations in order to restore spirit to a now dispirited city.

The map below marks the many sites where donations are being collected towards a number of initiatives working to rebuild Beirut and its ripe arts landscape. As a proud Lebanese I could selfishly implore you to donate to this cause simply because I believe in it, but I don’t think I need to do that. These institutions speak for themselves, I need only invite you to click on a few of these links and I am certain you’ll feel the infectious buzz of a people bursting to express their creativity once again.

For all the Lebanese are renowned: their rich culture and cuisine, their stunning landscape and people, and their warmth and generosity this tiniest of nations has suffered an inordinate amount. It is this dramatic juxtaposition of ill fortune and stubbornly enterprising creativity that has generated what you might call the Lebanese myth; the Lebanese epithet is “resilient”. But riddle me this: is it resilience to weather corruption that means homes lack electricity 20 hours a day, to have saved money in the bank for years but not have access to a single penny because the banking system has collapsed, to work for a meagre 50 cents an hour at a port that negligently houses an explosive that will decimate your entire city on the day you were working overtime to feed your family an overpriced loaf of bread? Resilience is too reductive a word for this.

Lebanon has many deeply ingrained problems, most of which money cannot solve. But a city once buzzing with a unique brand of vibrantly creative energy is today a pile of rubble. Galleries, museums, studios, bookstores, artist haunts, and designers that were the beating heart of the Beiruti scene are in urgent need of donations in order to restore spirit to a now dispirited city.

Sarah Daher cares about the role of art in building and preserving communities and shared identities. She is a curator and researcher who graduated with a BA in Theater and Economics from New York University Abu Dhabi and is currently completing her Masters in Curating Contemporary Art at the Royal College of Art in London. She is based between the UAE and London.
GAD Map Disclaimers:Global Art Daily is not affiliated with any of the institutions, businesses, and artist studios listed in the ‘GAD Map: Arts & Culture Relief for Beirut’. We do not make any commission on donations. All proceeds will go directly to the funds linked. We are not endorsing blind donations and encourage everyone to do their own research prior to donating. Please contact the appropriate fund managers directly to know about their most pressing needs and preferred bank or currencies transfers. All images in the map have been sourced from the different initiatives. If you would like your initiative to be listed too, please contact us at info@globalartdaily.com or DM us on Instagram.