📘 E-Issue 05 ––VCE Fall 2022
  1. Editor’s Note
  2. What’s On in VCE
  3. Pop(Corn): UAE National Pavilion
  4. Rapport: Venice
  5. Zeitgeist of our Time: Füsun Onur for the Turkish Pavilion at the 59th Venice Biennale
  6. GAD’s Top Picks: National Pavilions
  7. Strangers to the Museum Wall: Kehinde Wiley’s Venice Exhibition Speaks of Violence and Portraiture
  8. Questioning Everyday Life: Alluvium by Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian at OGR Torino in Venice

E-05++ Fall/Winter 2022-23
TYO
“Atami Blues” Brings Together UAE-Based and Japanese Artists in HOTEL ACAO ANNEX

TYO Wetland Lab Proposes Sustainable Cement Alternative in Tokyo

📒 E-Issue 04 ––IST Spring 2022
  1. Editor’s Note
  2. What’s On in IST
  3. Pop(Corn): Refik Anadol
  4. Rapport: Istanbul
  5. Independent Spaces in Istanbul: Sarp Özer on Operating AVTO

E-04++ Spring/Summer 2022
IST 
Creating an Artist Books Library in Istanbul: Aslı Özdoyuran on BAS
HK 
How Pearl Lam Built Her Gallery Between China and Europe
UAE
What’s On in the UAE: Our Top Summer Picks
DXB Art Jameel Joins The World Weather Network in a Groundbreaking Response to Global Climate Crisis
DXB “Geometry is Everywhere”: An Interview and Walking Tour of Order of Magnitude, Jitish Kallat’s Solo Exhibition at Dubai’s Ishara Art Foundation
DXB 
“We Are Witnessing History”: Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian On Their Retrospective Exhibition at NYU Abu Dhabi Art Gallery
IST
 Istanbul’s 5533 Presents Nazlı Khoshkhabar’s “Around and Round”
HK Startbahn Presents “Made in Japan 3.0: Defining a New Phy-gital Reality”, an NFT Pop-Up at K11 Art Mall
DXB Dubai's Postmodern Architecture: Constructing the Future with 3dr Models
📘 E-Issue 03 –– TYO Fall 2021
  1. Editor’s Note
  2. What’s On in TYO
  3. Pop(Corn): Nimyu
  4. Ahmad The Japanese: Bady Dalloul on Japan and Belonging
  5. Rapport: Tokyo 
  6. Alexandre Taalba Redefines Virtuality at The 5th Floor
  7. Imagining Distant Ecologies in Hypersonic Tokyo: A Review of “Floating Between the Tropical and Glacial Zones”
  8. Ruba Al-Sweel Curates “Garden of e-arthly Delights” at SUMAC Space
  9. Salwa Mikdadi Reflects on the Opening of NYU Abu Dhabi’s Arab Center for the Study of Art

E-03++ Fall/Winter 2021-22
DXB 
Art Dubai Digital, An Alternative Art World?
DXB 
Must-See Exhibitions in Dubai - Art Week Edition 2022
DXB
Prepare The Ingredients and Let The Rest Flow: Miramar and Zaid’s “Pure Data” Premieres at Satellite for Quoz Arts Fest 2022
TYO
 Akira Takayama on McDonald’s Radio University, Heterotopia, and Wagner Project
AUH Woman as a Noun, and a Practice: “As We Gaze Upon Her” at Warehouse421
AAN The Labor of Art and the Art of Labor: Christopher Benton on His First Exhibition in Al Ain
IST “Once Upon a Time Inconceivable”: A Review and a Conversation
RUH Misk Art Institute’s Annual Flagship Exhibition Explores the Universality of Identity
RUH HH Prince Fahad Al Saud Discusses Saudi Arabia’s Artistic Renaissance
DXB
Engage101 Presents “Connected, Collected” at Sotheby’s Dubai

📕 E-Issue 02
––
NYC Spring 2021
  1. Editor’s Note
  2. What’s On in NYC
  3. Pop(Corn): Zeid Jaouni
  4. You Can Take The Girl Out Of The City 
  5. Rapport: NYC
  6. Kindergarten Records Discuss The Future of Electronic Music
  7. Sole DXB Brings NY Hip-Hop To Abu Dhabi
  8. Wei Han Finds ‘Home’ In New York
  9. Vikram Divecha: Encounters and Negotiations

E-02++ Spring/Summer 2021
DXB “After The Beep”: A Review and Some Reflections
OSA Rintaro Fuse Curates “Silent Category” at Creative Center Osaka
AUH “Total Landscaping”at Warehouse 421
TYO “Mimicry of Hollows” Opens at The 5th Floor
TYO Startbahn, Japan’s Leading Art Blockchain Company, Builds a New Art Infrastructure for the Digital Age
DXB There Is A You In The Cloud You Can’t Delete: A Review of “Age of You” at Jameel Arts Centre
BAH Mihrab: Mysticism, Devotion, and Geo-Identity
LDN Fulfilment Services Ltd. Questions Techno-Capitalism on Billboards in London
DXB Ana Escobar: Objects Revisited
TYO BIEN Opens Two Solo Exhibitions in Island Japan and Parcel
CTU/AUH/YYZ Sabrina Zhao: Between Abu Dhabi, Sichuan, and Toronto
RUH Noor Riyadh Shines Light on Saudi Arabia’s 2030 Art Strategy
DXB A Riot Towards Landscapes
DXB A ‘Menu Poem’ and All That Follows
DXB Alserkal Art Week Top Picks 
DXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art Foundation
AUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421
DXB There’s a Hurricane at the Foundry

📙 E-Issue 01 –– AUH/DXB Summer 2020 
  1. Editor’s Note 
  2. What’s On in the UAE
  3. Pop(Corn): Hashel Al Lamki
  4. Tailoring in Abu Dhabi
  5. Rapport: Dubai 
  6. Michael Rakowitz From the Diaspora

E-01++ Fall/Winter 2020-21
GRV MIA Anywhere Hosts First Virtual Exhibition of Female Chechen Artists    
DXB Sa Tahanan Collective Redefines Home for Filipino Artists
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer
AUH SEAF Cohort 7 at Warehouse 421 
DXB 101 Strikes Again with Second Sale at Alserkal Avenue
DXB Spotlight on Dubai Design Week 2020
DXB Melehi’s Waves Complicate Waving Goodbye
DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre
DAM Investigating the Catalogues of the National Museum of Damascus
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE
TYO James Jarvis Presents Latest Collages at 3110NZ
DXB Do You See Me How I See You?
DXB Thaely Kicks Off Sustainable Sneakers
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh
MIA a_part Gives Artists 36 Hours to React

UAE Tawahadna Introduces MENA Artists to a Global Community
LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia
DXB Taaboogah Infuses Comedy Into Khaleeji Menswear
DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’
DXB Alserkal Arts Foundation Presents Mohamed Melehi
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting
AUH Sarah Almehairi Initiates Conversations
DXB Augustine Paredes Taking Up Space
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism
BEY GAD Map: Arts & Culture Relief for Beirut

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🗃️ Archive Year 2018 
    NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev
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    BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”
   AUH Abu Dhabi Is The New Calabasas

🎙️ GAD Talk Series –– Season 1 2020
   1. What is GAD? 2015 to Now

    2. Where is GAD? An Open Coversation on Migration as Art Practitioners

    3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover
   4. Young Curators in Tokyo: The Making of The 5th Floor
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Art Jameel Joins The World Weather Network in a Groundbreaking Response to Global Climate Crisis


By Global Art Daily’s Editorial Board

Published on June 21, 2022

        In response to the global climate emergency, Art Jameel has joined 27 arts organisations across the world to form the World Weather Network, a ground-breaking constellation of ‘weather stations’ located across the world in oceans, deserts, mountains, farmland, rainforests, observatories, lighthouses and cities.

For one year starting today, artists and writers will share ‘weather reports’ in the form of observations, stories, images and imaginings about their local weather and our shared climate, creating an archipelago of voices and viewpoints on a new global platform.

Cover image: Jameel Arts Centre, Dubai. Courtesy of Art Jameel. Photo: Beno Saradzic.

Offering different ways of looking at, listening to, and living with the weather, writers and artists’ weather reports will be shared on the World Weather Network platform from each location: the Himalayas, the Mesopotamian Marshes in Iraq and the desert of the Arabian peninsula; the Great Salt Lake in Utah and the ‘Great Ocean of Kiwa’ in the South Pacific; ‘iceberg alley’ off the coast of Newfoundland, the waters of the Baltic Sea and the Arctic Circle; a tropical rainforest in Guyana and farmland in Ijebu in Nigeria. Artists and writers are working in observatories in Kanagawa in Japan and Manila in the Philippines; looking at cloud data in China and lichens in France; lighthouses on the coast of Peru, the Basque Country and the Snaefellsness peninsula in Iceland; and cities including Dhaka, Istanbul, Johannesburg, London and Seoul.   

In addition to Art Jameel, other participating institutions include the Dhaka Art Summit (Bangladesh), Artangel (London), Fogo Island Arts (Newfoundland), Nicoletta Fiorucci Foundation (Grasse), the Holt-Smithson Foundation (New Mexico), Saha (Istanbul), UCCA (Beijing / Qinhuangdao), and Art Sonje Center (Seoul).


There is no contemporary debate more urgent than the climate crisis, and we are delighted to be working with inspirational, like-minded partners in the World Weather Network to bring voices from the arts together with those of ecologists and scientists.

- Fady Jameel, Art Jameel Chair and Founder


The Art Jameel station’s weather reports – featured on the central World Weather Network platform and via listening posts at the Jameel Arts Centre – primarily take the form of narrative podcast episodes by artists and writers, released throughout the year, that explore themes including The Threshold, Sweat and Labour and Technofutures. The Dubai-based Art Jameel weather station is anchored physically in the Jameel Library, through special events, research and book displays, and in the Jameel’s desert gardens, through on-site air-to-water generators, providing visitors with fresh drinking water and insights into daily humidity and weather conditions.

To celebrate the June 21 launch of the World Weather Network is Word Weathers, a global, live performance and writing exchange that sees the weather recorded over a full 24-hour period. Artspace Te Tuhi, located in the Pacific Rim (Te Moana Nui A Kiwa), invited Art Jameel to participate, who in turn commissioned Moza Almatrooshi and Sree; the two UAE artists join more than 40 creatives around the world, who each log-on at dawn in their timezone to write and perform online.



Other contributors to the Art Jameel podcast series include: Noush Anand, Saira Ansari, Nadim Choufi, Nadine Khalil, Nidhi Mahajan and Deepak Unnikrishnan, among others.


Discover the World Weather Network’s website
Tune in for the livestream of WORD WEATHERS: DURATIONAL WRITING PERFORMANCE until 5pm GST, 21 June 2022 


About the World Weather Network Formed in response to the climate emergency, the World Weather Network is a constellation of weather stations set up by 27 arts agencies around the world and is an invitation to look, listen, learn, and act. From June 21, 2022 to June 21, 2023, artists, writers and communities will share observations, stories, reflections and images about their local weather, creating an archipelago of voices and viewpoints. Engaging climate scientists and environmentalists, the World Weather Network brings together diverse world views and different ways of understanding the weather across multiple localities and languages.

About Jameel Arts Centre Known as Dubai’s contemporary arts museum, Jameel Arts Centre presents curated solo and group exhibitions, drawn both from the Art Jameel Collection and through regional and international collaborations. Current exhibitions include ‘Proposals for a Memorial to Partition’, ‘Fahd Burki: Daydreams’, ‘Taus Makhacheva: A Space of Celebration’, ‘Library Circles: Salma Serry’, and Artist’s Garden ‘Desert is a Forest’ by Sunoj D and Namrata Neog.