E-Issue 02 –– NYC Spring 2021
  1. Editor’s Note
  2. What’s On in NYC
  3. Pop(Corn): Zeid Jaouni
  4. You Can Take The Girl Out Of The City 
  5. Rapport: NYC
  6. Kindergarten Records Discuss The Future of Electronic Music
  7. Sole DXB Brings NY Hip-Hop To Abu Dhabi
  8. Wei Han Finds ‘Home’ In New York
  9. Vikram Divecha: Encounters and Negotiations

E-02++ Spring/Summer 2021
RUH Noor Riyadh Shines Light on Saudi Arabia’s 2030 Art Strategy
DXB A Riot Towards Landscapes
DXB A ‘Menu Poem’ and All That Follows
DXB Alserkal Art Week Top Picks 
DXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art Foundation
AUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421
DXB There’s a Hurricane at the Foundry

E-Issue 01 –– AUH/DXB Summer 2020 
  1. Editor’s Note 
  2. What’s On in the UAE
  3. Pop(Corn): Hashel Al Lamki
  4. Tailoring in Abu Dhabi  
  5. Rapport: Dubai 
  6. Michael Rakowitz From the Diaspora

E-01++ Fall/Winter 2020-21
GRV MIA Anywhere Hosts First Virtual Exhibition of Female Chechen Artists    
DXB Sa Tahanan Collective Redefines Home for Filipino Artists
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer
AUH SEAF Cohort 7 at Warehouse 421 
DXB 101 Strikes Again with Second Sale at Alserkal Avenue
DXB Spotlight on Dubai Design Week 2020
DXB Melehi’s Waves Complicate Waving Goodbye
DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre
DAM Investigating the Catalogues of the National Museum of Damascus
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE
TYO James Jarvis Presents Latest Collages at 3110NZ
DXB Do You See Me How I See You?
DXB Thaely Kicks Off Sustainable Sneakers
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh
MIA a_part Gives Artists 36 Hours to React

UAE Tawahadna Introduces MENA Artists to a Global Community
LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia
DXB Taaboogah Infuses Comedy Into Khaleeji Menswear
DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’
DXB Alserkal Arts Foundation Presents Mohamed Melehi
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting
AUH Sarah Almehairi Initiates Conversations
DXB Augustine Paredes Taking Up Space
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism
BEY GAD Map: Arts & Culture Relief for Beirut

E-Issues Info
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    1. Mission
    2. Schedule

    3. Editorial Board
    4. Contributors
 
GAD Info ––
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    2. Archive
§§ Year 2018
    NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev
    PAR Hottest Spices: Michèle Lamy
    BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”
   AUH Abu Dhabi Is The New Calabasas

GAD Talk Series ––
    1. What is GAD? 2015 to Now

    2. Where is GAD? An Open Coversation on Migration as Art Practitioners

    3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover
   4. Young Curators in Tokyo: The Making of The 5th Floor
    5. How To Create Digital Networks in The Art World?

Open Call ––
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Alserkal Art Week Top Picks


By Global Art Daily Editorial Board

Published on March 28th, 2021

       Alserkal Art Week has just ended and has left Dubai’s Alserkal Avenue with a fresh new sense of artistic-led initiatives, activations, and exhibitions for this new spring season. Below are our Editorial Board’s top picks. 

The Disappearing Art Show

22 - 27 March 2021
Warehouse 46, Alserkal Avenue
Presented by Gulf Photo Plus and Alserkal Avenue


Installation view, The Disappearing Art Show. Courtesy of Gulf Photo Plus.

Our top pick for the Alserkal Art Week: a youth-led activation of many of the UAE-based emerging artists we have covered at Global Art Daily. 

Disrupting the norms of elite art-buying, this event focused its efforts on enabling young people to collect and acquire art, and championed accessibility to art buying along the way. 

Over 60 featuring works from:
Aliyah Al Awadhi, Almaha Alkelabi, Ana Escobar, Bait 15, Gulf Photo Plus, Seeing Things, Cinema Akil, Kave, Zawyeh Gallery, Nahla  Tabaa  and Lena Kassicieh, Daftar Asfar, Amina Yahia, 1×1 Gallery, 101.art, Zayed University, Rare Magazine, Postscript, and Sa Tahanan Collective.


yasiin bey, Negus

28 March to 5 May 2021
Warehouse 80, Alserkal Avenue
The Third Line Gallery 

Another must-see: The Third Line Gallery and Sole DXB bring yasiin bey’s Negus to Dubai. This sits in line with the continuation of Sole’s efforts to promote a truly global understanding of hip-hop: from both a geographical and a creative industry standpoint, Sole mixes music and art, fashion and digital initiatives, with ease and a multicultural mindset.

yasiin bey’s latest studio recording and audio installation is now open, and features visual works by contemporary artists Ala Ebtekar, Anuar Khalifi, Laleh Khorramian, Nima Nabavi, and bey himself. Negus is a 28-minute listening experience consisting of 8 compositions recorded in London in 2015, produced by Lord Tusk, Steven Julien, and Acyde.

Tickets are AED 75 and available at Virgin Megastore Tickets.



Tarek Al-Ghoussein, Odysseus

22 March - 5 May 2021
Warehouse 80, Alserkal Avenue
The Third Line Gallery Project Space


The Third Line is pleased to present Tarek Al-Ghoussein’s fourth solo exhibition Odysseus in its Gallery II. The show explores a selection of new works from his ongoing series Odysseus in which Al-Ghoussein sets out to document a number of islands off the coast of Abu Dhabi where he resides.

Image: Tarek Al-Ghoussein, Abu Dhabi Archipelago (Al Habel Al Abyad), 2015-, Digital Print, 60 x 80cm. Courtesy of the artist and The Third Line Gallery.



Out of Place
22 March - 22 May 2021
Warehouse 17, Alserkal Avenue
Gallery Isabelle van den Eynde


Gallery Isabelle van den Eynde announced its March 2021 exhibition, Out of Place. A group show featuring works by Vikram Divecha, Mohammed Kazem, :mentalKLINIK, Haleh Redjaian, Hassan Sharif, and Raed Yassin, Out of Place examines our place in an ever-shifting world, suggesting that we can be out of place in space in much the same way we are out of sync with time.

Out of Place installation views. Courtesy of Gallery Isabelle van den Eynde.