1. Editor’s Note
  2. What’s On in Jeddah
  3. Cover Interview: Hayfa Al Gwaiz
  4. A Season in Review: Riyadh 2024
  5. Individual Stories, Common Threads: Hayat Osamah’s Soft Gates at the Islamic Arts Biennale 2025

E-09++
Fall 2025





  1. Editor’s Note
  2. What’s On in SEL
  3. Pop(Corn): Chan Sook Choi
  4. Rapport: Seoul
  5. When Everything You Touch Bursts into Flames: Olivia Rode Hvass at 00.00 Gallery
  6. Embracing Multiplicities: The 2023 Korea Artist Prize Exhibition
  7. On (Be)Holding Life that Pulsates in Overlooked Places: Jahyun Park at Hapjungjigu
  8. Beauty, Transformation, and the Grotesque: Nathalie Djurberg & Hans Berg on their Exhibition at SongEun Art Space
  9. Presenting Ecofeminist Imaginaries: Ji Yoon Yang on Alternative Space LOOP

E-08++
Fall 2024

SEL Quick Glances at Frieze Seoul 2024


E-Issue 07 –– AUH
Winter 2023-24

January 29th, 2024



  1. Editor’s Note
  2. What’s On in Abu Dhabi/Dubai
  3. Cover Interview: Shaikha Al Ketbi on Darawan
  4. Rapport: Public Art in the Gulf and a Case Study of Manar Abu Dhabi
  5. Hashel Al Lamki’s Survey Exhibition Maqam Reflects on a Decade of Practice in Abu Dhabi
  6. “You Can’t Stand on a Movement”: Michelangelo Pistoletto Interviews Benton Interviewing Pistoletto

E-07++
Winter/Spring 2024


Exhibition Review July 16, 2024
PAR See Me With Them Hands: Reviewing Giovanni Bassan’s “Private Rooms” at Sainte Anne Gallery

Curators Interview May 14, 2024
AUH Embracing Change through an Open System: Maya Allison and Duygu Demir on “In Real Time” at NYUAD Art Gallery


E-Issue 06 –– DXB/SHJ
Spring 2023

April 12th, 2023



  1. Editor’s Note
  2. What’s On in the UAE
  3. Pop(Corn): Jumairy
  4. Rapport: Art Dubai 2023
  5. Highlights from Sharjah Biennial 15
  6. Is Time Just an Illusion? A Review of "Notations on Time" at Ishara Art Foundation
  7. Saif Mhaisen and His Community at Bayt AlMamzar









DXB Christopher Joshua Benton to Debut Mubeen, City as Archive at The Third Line Shop in Collaboration with Global Art Daily



E-Issue 05 –– VCE
Fall 2022

September 5th, 2022



  1. Editor’s Note
  2. What’s On in VCE
  3. Pop(Corn): UAE National Pavilion
  4. Rapport: Venice
  5. Zeitgeist of our Time: Füsun Onur for the Turkish Pavilion at the 59th Venice Biennale
  6. GAD’s Top Picks: National Pavilions
  7. Strangers to the Museum Wall: Kehinde Wiley’s Venice Exhibition Speaks of Violence and Portraiture
  8. Questioning Everyday Life: Alluvium by Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian at OGR Torino in Venice

E-05++
Fall/Winter 2022-23


Market Interview June 28th, 2022
HK
How Pearl Lam Built Her Gallery Between China and Europe


Exhibition November 11th, 2022
TYO
“Atami Blues” Brings Together UAE-Based and Japanese Artists in HOTEL ACAO ANNEX


Exhibition December 2nd, 2022
TYO Wetland Lab Proposes Sustainable Cement Alternative in Tokyo

Artist Interview December 9th, 2022
DXB Navjot Altaf Unpacks Eco-Feminism and Post-Pandemic Reality at Ishara Art Foundation

Artist Interview January 8th, 2023
TYO Shu Yonezawa and the Art of Animation

Artist Interview January 19th, 2023
NYC Reflecting on Her Southwestern Chinese Bai Roots, Peishan Huang Captures Human Traces on Objects and Spaces

Exhibition Review February 9th, 2023
DXB Augustine Paredes Builds His Paradise Home at Gulf Photo Plus

Artist Interview February 22nd, 2023
DXB Persia Beheshti Shares Thoughts on Virtual Worlds and the State of Video Art in Dubai Ahead of Her Screening at Bayt Al Mamzar

E-Issue 04 –– IST
Spring 2022

March 15th, 2022



  1. Editor’s Note
  2. What’s On in IST
  3. Pop(Corn): Refik Anadol
  4. Rapport: Istanbul
  5. Independent Spaces in Istanbul: Sarp Özer on Operating AVTO

E-04++
Spring/Summer 2022


Curator Interview March 21st, 2022

Market Interview March 28th, 2022
DXB Dubai's Postmodern Architecture: Constructing the Future with 3dr Models


Exhibition April 23rd, 2022
HK Startbahn Presents “Made in Japan 3.0: Defining a New Phy-gital Reality”, an NFT Pop-Up at K11 Art Mall


Exhibition May 6th, 2022
IST
Istanbul’s 5533 Presents Nazlı Khoshkhabar’s “Around and Round”


Artist Interview May 13th, 2022
DXB
“We Are Witnessing History”: Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian On Their Retrospective Exhibition at NYU Abu Dhabi Art Gallery

Artist Interview June 13th, 2022
DXB “Geometry is Everywhere”: An Interview and Walking Tour of Order of Magnitude, Jitish Kallat’s Solo Exhibition at Dubai’s Ishara Art Foundation


Exhibition June 21st, 2022
DXB Art Jameel Joins The World Weather Network in a Groundbreaking Response to Global Climate Crisis

Exhibition June 27th, 2022
UAE
What’s On in the UAE: Our Top Summer Picks

Curator Interview July 9th, 2022
IST Creating an Artist Books Library in Istanbul: Aslı Özdoyuran on BAS

E-Issue 03 ––TYO
Fall 2021

October 1st, 2022



  1. Editor’s Note
  2. What’s On in TYO
  3. Pop(Corn): Nimyu
  4. Ahmad The Japanese: Bady Dalloul on Japan and Belonging
  5. Rapport: Tokyo
  6. Alexandre Taalba Redefines Virtuality at The 5th Floor
  7. Imagining Distant Ecologies in Hypersonic Tokyo: A Review of “Floating Between the Tropical and Glacial Zones”
  8. Ruba Al-Sweel Curates “Garden of e-arthly Delights” at SUMAC Space
  9. Salwa Mikdadi Reflects on the Opening of NYU Abu Dhabi’s Arab Center for the Study of Art

E-03++
Fall/Winter 2021-22


Market Interview October 6th, 2021
RUH HH Prince Fahad Al Saud Discusses Saudi Arabia’s Artistic Renaissance


Exhibition October 7th, 2021
RUH Misk Art Institute’s Annual Flagship Exhibition Explores the Universality of Identity


Curator Interview October 15th, 2021
IST “Once Upon a Time Inconceivable”: A Review and a Conversation


Exhibition Review October 16th, 2021
AUH Woman as a Noun, and a Practice: “As We Gaze Upon Her” at Warehouse421



Exhibition Review February 11th, 2022

Artist Interview February 26th, 2022
TYO Akira Takayama on McDonald’s Radio University, Heterotopia, and Wagner Project


Artist Interview March 10th, 2022
DXB Prepare The Ingredients and Let The Rest Flow: Miramar and Zaid’s “Pure Data” Premieres at Satellite for Quoz Arts Fest 2022


Exhibition March 11th, 2022
DXB Must-See Exhibitions in Dubai - Art Week Edition 2022


Exhibition Review March 14th, 2022
DXB Art Dubai Digital, An Alternative Art World?

E-Issue 02 –– NYC
Spring 2021

February 21st, 2021



  1. Editor’s Note
  2. What’s On in NYC
  3. Pop(Corn): Zeid Jaouni
  4. You Can Take The Girl Out Of The City
  5. Rapport: NYC
  6. Kindergarten Records Discuss The Future of Electronic Music
  7. Sole DXB Brings NY Hip-Hop To Abu Dhabi
  8. Wei Han Finds ‘Home’ In New York
  9. Vikram Divecha: Encounters and Negotiations

E-02++
Spring/Summer 2021

Exhibition Review March 3rd, 2021
DXB There’s a Hurricane at the Foundry


Exhibition Review March 7th, 2021
AUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421


Curator Interview March 21st, 2021
DXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art Foundation


Exhibition March 28th, 2021
DXB Alserkal Art Week Top Picks


Exhibition Review April 1st, 2021
DXB A ‘Menu Poem’ and All That Follows


Exhibition Review April 5th, 2021
DXB A Riot Towards Landscapes


Exhibition April 16th, 2021
RUH Noor Riyadh Shines Light on Saudi Arabia’s 2030 Art Strategy


Artist Interview April 26th, 2021
CTU/AUH/YYZ Sabrina Zhao: Between Abu Dhabi, Sichuan, and Toronto


Exhibition Review April 27th, 2021
TYO BIEN Opens Two Solo Exhibitions in Island Japan and Parcel


Artist Interview April 28th, 2021
DXB Ana Escobar: Objects Revisited


Exhibition May 9th, 2021
LDN Fulfilment Services Ltd. Questions Techno-Capitalism on Billboards in London


Artist Interview May 11th, 2021
BAH Mihrab: Mysticism, Devotion, and Geo-Identity


Curator Interview May 20th, 2021
DXB There Is A You In The Cloud You Can’t Delete: A Review of “Age of You” at Jameel Arts Centre

Market Interview May 26th, 2021
TYO Startbahn, Japan’s Leading Art Blockchain Company, Builds a New Art Infrastructure for the Digital Age

Exhibition June 11th, 2021
TYO “Mimicry of Hollows” Opens at The 5th Floor


Exhibiton Review June 20th, 2021
AUH “Total Landscaping”at Warehouse 421


Artist Interview June 30th, 2021
OSA Rintaro Fuse Curates “Silent Category” at Creative Center Osaka


Exhibition Review August 9th, 2021
DXB “After The Beep”: A Review and Some Reflections

E-Issue 01 –– AUH/DXB
Summer 2020

August 1st, 2020



  1. Editor’s Note
  2. What’s On in the UAE
  3. Pop(Corn): Hashel Al Lamki
  4. Tailoring in Abu Dhabi
  5. Rapport: Dubai
  6. Michael Rakowitz From the Diaspora


E-01++
Fall/Winter 2020-21


Artist Interview August 23rd, 2020
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism


Artist Interview August 24th, 2020
DXB Augustine Paredes Taking Up Space

Artist Interview August 26th, 2020
AUH Sarah Almehairi Initiates Conversations

Market Interview August 28th, 2020
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting


Exhibition September 1st, 2020
DXB Alserkal Arts Foundation Presents Mohamed Melehi


Market Interview September 4th, 2020
DXB Meet Tamila Kochkarova Behind ‘No Boys Allowed’


Artist Interview September 7th, 2020
DXB Taaboogah Infuses Comedy Into Khaleeji Menswear

Artist Interview September 10th, 2020
LHR/CAI Alaa Hindia’s Jewelry Revives Egyptian Nostalgia

Curator Interview September 14th, 2020
UAE Tawahadna Introduces MENA Artists to a Global Community

Exhibition Review September 24th, 2020
MIA a_part Gives Artists 36 Hours to React


Artist Interview September 27th, 2020
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh

Market Interview October 14th, 2021
DXB Thaely Kicks Off Sustainable Sneakers


Exhibition Review October 19th, 2020
DXB Do You See Me How I See You?


Exhibition October 22nd, 2020
TYO James Jarvis Presents Latest Collages at 3110NZ


Exhibition Review October 22nd, 2020
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE


Book Review October 28th, 2020
DAM Investigating the Catalogues of the National Museum of Damascus


Exhibition Review November 13th, 2020
DXB
Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre


Exhibition Review November 16th, 2021
DXB Melehi’s Waves Complicate Waving Goodbye


Exhibition Review November 19th, 2020
DXB Spotlight on Dubai Design Week 2020


Exhibition Review November 21st, 2020
DXB 101 Strikes Again with Second Sale at Alserkal Avenue


Exhibition Review
November 23rd, 2020


AUH SEAF Cohort 7 at Warehouse 421


Exhibition Review December 9th, 2020
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer


Curator Interview January 25th, 2021
DXB Sa Tahanan Collective Redefines Home for Filipino Artists


Exhibition Review February 21st, 2021
GRV MIA Anywhere Hosts First Virtual Exhibition of Female Chechen Artists  

🎙️GAD Talk Series –– Season 1 2020


November 1st, 2020
1. What is Global Art Daily? 2015 to Now

November 16th, 2020
2. Where is Global Art Daily? An Open Coversation on Migration as Art Practitioners


November 29th, 2020
3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover

December 20th, 2020
4. Young Curators in Tokyo: The Making of The 5th Floor

January 27th, 2021
5. How To Create Digital Networks in The Art World?

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Newsletter ––




Chronological Archive ––

    Selected Archive

Artist Interview November 18th, 2016
AUH Raed Yassin in Abu Dhabi

Exhibition Listing May 22nd, 2018
DXB Christopher Benton: If We Don't Reclaim Our History, The Sand Will

Artist Interview June 15th, 2018
TYO An Interview with BIEN, a Rising Japanese Artist

Artist Interview July 17th, 2018
TYO Rintaro Fuse on Selfies and Cave Painting

Artist Interview August 28th, 2018
BER Slavs and Tatars: “Pulling a Thread to Undo The Sweater”

Artist Interview September 1st, 2018
NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev

Artist Interview September 1st, 2018
PAR Hottest Spices: Michèle Lamy


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What's On: Your Ultimate Guide to Abu Dhabi Art Week 2025 


By Global Art Daily Editorial Board

Published on November 18, 2025

        Abu Dhabi Art Week 2025 is set to be historic. With the recent news of Frieze’s arrival in Abu Dhabi, paired with the anticipated museum openings this Fall 2025, including Zayed National Museum on Saadiyat Cultural District and Al Ain Museum, all eyes are on the capital of the United Arab Emirates this week.

The previous Terminal 1 of Abu Dhabi’s Zayed International Airport, designed in the late 1970s by Paul Andreu. Photo courtesy of Nomad.

We have rounded up all the exhibitions, festivals, and art fairs happening in parallel to Abu Dhabi Art 2025. The 17th edition of the fair opens with an exclusive Patron’s Preview on November 18th and closes its doors on November 23rd.

NOMAD, a new art fair in the magnificent Abu Dhabi Terminal 1 Airport – a monument of tilework and 1980s architecture, the second edition of the light art festival Manar Abu Dhabi, and a massive group show of UAE-based artists at 421 are amongst our must-sees.

Meanwhile, elsewhere in Abu Dhabi, Dubai, and Sharjah, a myriad of gallery shows are opening doors, showcasing the thriving, diverse, independent youth-driven art scene of the Emirates. “Mirage”, a group show by Thaer Select, curated by Vertygo, opens November 20th in the heritage building of Ethr Hotel (a previous recreational space for officers of the UAE Armed Forces, built by the late H.H. Sheikh Zayed Al Nahyan in 1983). Also opening are a series of solo exhibitions by some of the key artists who call the Emirates home: Christopher Joshua Benton at Baró Galeria Abu Dhabi, Rami Farook at Qanazea Gallery, Miramar Al Nayyar at Tabari Art Space’s new space on Alserkal Avenue, and Aliyah AlAwadhi for Hunna Art Gallery at Bayt AlMamzar, amongst many others.


📍️ Abu Dhabi




Abu Dhabi Art

19 - 23 November 2025
Manarat Al Saadiyat, Saadiyat Island


The 17th edition of the fair returns, ahead of its Frieze Abu Dhabi debut, with 140 participating galleries. 

Must-see booths are: ATHR Gallery presenting Mohammed Alfaraj in partnership with Mennour, alongside a selection of ATHR’s artists: Ayman Yossri, Sultan bin Fahad, Nasser Al Salem, Sara Abdu, and Asma Bahmim; Taymour Grahne showing a selection of GCC contemporary and modern artists, including rising star painter Roudha Al Mazrouei; Carbon12 showing a selection of works including Sara Al Mehairi; and The Third Line showing a selection of works mirroring their 20th anniversary exhibition currently on view on Alserkal Avenue.

Lamya Gargash will present a special edition of her Kun: To Be series at the Community Partners.

A number of international galleries are participating in the fair for the first time. We are particularly excited about Tokyo-based Leesaya in the Special Projects section.

Also not to miss is the Beyond Emerging section, curated by Issam Kourbaj, featuring Alla Abdunabi, Maktoum Al Maktoum, and Salmah Almansoori.



NOMAD Abu Dhabi 

19 - 22 November 2025
Old Terminal 1, Zayed International Airport


The NOMAD fair marks its Abu Dhabi debut in the decommissioned Terminal 1, Zayed International Airport — a landmark of regional modernism designed in the late 1970s by Paul Andreu, the celebrated architect of Paris’ Charles de Gaulle. Closed to the public for years, the terminal will be reimagined by NOMAD in partnership with the Department of Culture and Tourism – Abu Dhabi. This edition arrives at a pivotal cultural moment, enriching the UAE’s dynamic arts landscape and resonating with the architectural and artistic spirit of Saadiyat Island, home to one of the world’s most ambitious museum clusters.

More information on access & participating galleries: click here.

Lachlan Turczan, Gateway, 2025. Courtesy Public Art Abu Dhabi, DCT Abu Dhabi. 


Manar Abu Dhabi 2025: The Light Compass

Curated by Khai Hori, Alia Zaal Lootah, Munira Al Sayegh, and Mariam Alshehhi
15 November 2025 - 4 January 2026
Jubail Island, Abu Dhabi


Another must-see: Manar Abu Dhabi returns for its second edition on Jubail Island and various other locations throughout the Emirate of Abu Dhabi. We are most excited about Lachlan Turczan premiering his monumental Gateway and Shaikha Al Mazroui’s new Contigent Object installation, both located at Jubail Island, a short drive from Saadiyat Island, Abu Dhabi.

Organised by the Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi), this second edition of Manar Abu Dhabi brings together fifteen Emirati and international artists and collectives from ten countries, presenting twenty-three works including site-specific light sculptures, projections, and immersive installations. The exhibition unfolds across four key locations—Jubail Island, Souq Al Mina, and, for the first time, Al Ain—with dedicated trails at Al Qattara and Al Jimi Oases, highlighting Abu Dhabi’s diverse landscapes and ecosystems. Curated by Khai Hori (Artistic Director) and co-curated by Alia Zaal Lootah, Munira Al Sayegh, and Mariam Alshehhi, The Light Compass invites audiences to engage actively with light as both guide and medium. 


YOKOMAE et BOUAYAD, Choreography of a Cloud, Dancing Shadows, 2025. Installation view at the Louvre Abu Dhabi. Photo: Latifa Al Bokhari.

Art Here 2025: Shadows, Richard Mille Art Prize

Curated by Sophie Mayuko Arni

11 October - 28 December 2025
Louvre Abu Dhabi, Saadiyat Island


Louvre Abu Dhabi and Swiss watchmaking brand Richard Mille return for the fifth edition of their groundbreaking annual exhibition and competition, Art Here and the Richard Mille Art Prize, deepening their shared commitment to showcasing contemporary art from the region and beyond within the global creative landscape.

Art Here 2025: Shadows, conceptualised by guest curator Sophie Mayuko Arni, invited artists to respond to the theme 'Shadows', a concept exploring the interplay between light and absence, visibility and concealment, and the layered dimensions of memory, identity, and transformation. Reflecting the richness of regional creativity, this year’s edition welcomed over 400 proposals from artists based in the GCC and Japan, along with artists from the MENA region with a GCC connection.


Tarek Al-Ghoussein, Abu Dhabi Archipelago (Jubail), 2015, Digital Print, 60 x 80 cm. Courtesy of the artist and The Third Line, Dubai

Rays, Ripples, Residue

Curated by Munira Al Sayegh, Murtaza Vali, and Nadine Khalil

1 November 2025 - 26 April 2026
421 Arts Campus, Mina Zayed 


Rays, Ripples, Residue explores the lasting impressions, afterimages, and the material residues that have shaped exhibition-making and artistic production in the UAE over the past decade. Since 2015, the local art scene has evolved into a dynamic ecosystem, marked by the rise of artist-led initiatives, expanded institutional support, and growing international visibility through biennales, art fairs, and cultural diplomacy. This period has also witnessed deeper engagement with regional histories, identity, and decolonial narratives, reflected across both institutional and independent platforms. Framed through three curatorial perspectives, the exhibition engages with time as a central theme: Munira Al Sayegh curates a chapter that explores past reverberations while Nadine Khalil considers post-moment hauntings. Murtaza Vali presents enduring critiques of commodification and elemental presence. 


Ala Younis: Past of a Temporal Universe

Curated by Maya Allison

NYUAD Art Gallery
September 23, 2025 - January 16, 2026
NYUAD Art Gallery, Saadiyat Island  


This exhibition spans the last two decades of Ala Younis’ hybrid practice as an artist-researcher-curator. Her archival installations, textiles, murals, mosaics, and drawings make subtle, startling connections among political, social, urban, and popular imaginaries. Informed by her training in architecture and visual cultures, Younis’ projects center on the physical developments and narrative intersections of the Arab geographies in which she grew up, frequently drawing from a wide range of formal and informal archives. The exhibition will debut a series of new commissions alongside iterations of major past projects. Together, these works trace conceptual and formal throughlines in her work, from the tools and skills she developed as she emerged in the art scene of Amman, Jordan, to her experiments in navigating new knowledge as she evolved the unique methods and perspective for which she is renowned today.



Mirage

Organized by Thaer Select
Curated by Nicolò Venelli/Vertygo

Opens 20 November 2025 – Accessible 24/7
ETHR Hotel Abu Dhabi


Featuring 17 artists from the UAE, Saudi Arabia, broader MENA region, and beyond, this group show promises to be one of the most-talked about parallel exhibitions of this Abu Dhabi Art week. Organized by pop-up show master Thaer Select, and curated by Nicolò Venelli from Vertygo (an art residency program for Arab artists in Nothern Italy), the exhibition takes place in the historic premises of the Ethr Hotel, previously the UAE Armed Forces’s recreational facilities built by the late H.H. Sheikh Zayed in 1983.

Mirage is the illusion that guides and deceives, the image that shimmers at the edge of perception. It is the encounter between what is seen and what is imagined, between the world as it is and the world as it could be. It is the hardship and the challenge of life, and the strength it takes to overcome adversity.

Mirage defines deception: an oasis that does not exist, a vision too distant to reach. It is the birth and rebirth of dreams, the tribal dance that captures the mind. It is the setting of absolute desolation, and yet the caravan lines glimmer in the distance, drawn across a horizon that is but sand dunes and heat. It poses a challenge to the viewer: will you traverse the desert?



Christopher Joshua Benton: The Obligation of the Circle

Baró Galeria Abu Dhabi – O. Contemporary

Opens November 21, 2025
Baró Galeria Abu Dhabi


The Obligation of the Circle, a solo exhibition by Christopher Joshua Benton, presents a new series of Benton’s six tapestries

The exhibition also includes a selection from his collection of Afghan war carpets and a Community Wall — a large photographic installation accompanied by printed images documenting various interventions that have taken place at the souk. Together, these elements create a dialogue between memory, territory, and collective practice.

Additionally, the project welcomes discursive and process-based contributions from other voices that orbit Benton’s practice, including Marisa Morán Jahn, Faustin Linyekula, and others, whose dialogues with the artist expand the understanding of community. This ecology of collaboration is reflected in the fact that proceeds from the production of the works support Zuleya, a social enterprise dedicated to preserving Afghanistan’s ancient weaving traditions through education, free healthcare, and sustainable employment.



The Imaginary Museum

Rizq Art Initiative
Curated by Murtaza Vali

19 September – 30 November 2025
Leaf Tower, Reem Island


The Imaginary Museum takes inspiration from André Malraux’s concept of a “museum without walls”—a space where artworks live beyond their material form, carried forward through memory, imagination, and interpretation.

The exhibition reconsiders art as a vessel for both personal and collective remembrance, inviting viewers to see artworks not as fixed objects but as fragments of ongoing narratives. Drawing also on Homi K. Bhabha’s notion of hybridity and Umberto Eco’s idea of the “open work,” the show emphasizes fluidity, transformation, and the active role of the viewer in shaping meaning. Through painting, sculpture, digital practices, and material experimentation, participating artists explore how memory, identity, and cultural consciousness are constantly redefined across time and space.


Rami Farook: Self Care

Qanazea Gallery

November 11 – December 23, 2025
Qanazae Gallery, Al Zahiyah


This exhibition brings 37 works on paper from the past 14 years. Using ink, pastel, charcoal, and lead, they move between image & text, instinct & reflection. Paper, here, is not just a support but an intimate, fragile surface where emotion, impulse, and vulnerability left their traces. Most works take their titles from notes that Rami’s written on his bedroom wall- thoughts, prayers, and reminders that merge diary with public statement. Together, they form a self-portrait & social landscape, exploring motivation, protection, fate, faith, and the quiet pursuit of care & balance. 

📍️ Dubai



Miramar Al Nayyar | Hujra —حُجرة

Curated by Abeer Seikaly
Tabari Artspace, Alserkal Avenue

November 16 – December 1, 2025

Tabari Art Space, Warehouse 81, Alserkal Avenue


The title Hujra (ﺣُﺟرة) translates as “chamber,” sharing its root with ḥajar (ﺣَﺟَر, stone). For Tabari Art Space’s first exhibition at Alserkal Avenue, the veteran Dubai gallery presents Hujra — ﺣُﺟرة, a solo exhibition by Miramar Al Nayyar, curated by Abeer Seikaly.

In Hujra — ﺣُﺟرة, Al Nayyar traces how flow crystallises onto canvas, how light becomes matter, and how painting absorbs the sound of vision, grounding the process in the rock's enduring presence as both origin and silent witness. The exhibition unfolds as a dialogue between artist and curator, where inner states of consciousness take form through body, material, and space. This presentation marks a new chapter for Tabari Artspace, expanding into Dubai’s contemporary art district and opening space for process-driven and experimental practices alongside its ongoing DIFC programme.



Aliyah AlAwadhi: Girl’s Parts

Presented by Hunna Art Gallery
Bayt AlMamzar

November 15, 2025 – January 4, 2026

Bayt AlMamzar


Childhood is a half-remembered taste: sweet, sticky, and sometimes spoiled. In Girl Parts, Aliyah Alawadhi metabolizes this residue into a language of paint - bodies shimmering in pinks and creams, mouths agape, devouring and dreaming. Her figures - often distorted, gleefully abject, and insistently feminine - move through an interior world that oscillates between the domestic and the fantastical. A kitchen becomes a theatre of appetite; a solarium, a site of gathering and magic. These are not nostalgic visions of innocence but reimaginings of “girl”: an ancient inheritance of edicts around beauty, shame, and desire, rewritten here with magic, rage, and much speculation.

At first glance, her canvases glisten with playfulness: pastel hues, visceral textures, and theatrical bodies caught mid-gesture. But beneath their apparent sweetness lies a reflection on how women learn to inhabit their bodies. Her figures eat, laugh, and comfort one another; they take flight and conjure spells, occupying space, indulging in excess, and refusing composure. Their grotesqueness is a form of release - a way of existing beyond the narrow gaze that defines the “girl body.”


17/11/2026, Editor’s Note: Some exhibitions might be added to the list as the week progresses.