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E-Issue 04 ââIST Spring 2022
- Editorâs Note
- Whatâs On in IST
- Pop(Corn): Refik Anadol
- Rapport: Istanbul
- Independent Spaces in Istanbul: Sarp Ăzer on Operating AVTO
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E-04++ Spring/Summer 2022
HK How Pearl Lam Built Her Gallery Between China and Europe
UAE Whatâs On in the UAE: Our Top Summer Picks
DXB Art Jameel Joins The World Weather Network in a Groundbreaking Response to Global Climate Crisis
DXB âGeometry is Everywhereâ: An Interview and Walking Tour of Order of Magnitude, Jitish Kallatâs Solo Exhibition at Dubaiâs Ishara Art Foundation
DXB âWe Are Witnessing Historyâ: Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian On Their Retrospective Exhibition at NYU Abu Dhabi Art Gallery
IST Istanbulâs 5533 Presents NazlÄą Khoshkhabarâs âAround and Roundâ
HK Startbahn Presents âMade in Japan 3.0: Defining a New Phy-gital Realityâ, an NFT Pop-Up at K11 Art Mall
DXB Dubai's Postmodern Architecture: Constructing the Future with 3dr Models
E-Issue 03 ââ
TYO Fall 2021
- Editorâs Note
- Whatâs On in TYO
- Pop(Corn): Nimyu
- Ahmad The Japanese: Bady Dalloul on Japan and Belonging
- Rapport: Tokyo
- Alexandre Taalba Redefines Virtuality at The 5th Floor
- Imagining Distant Ecologies in Hypersonic Tokyo: A Review of âFloating Between the Tropical and Glacial Zonesâ
- Ruba Al-Sweel Curates âGarden of e-arthly Delightsâ at SUMAC Space
- Salwa Mikdadi Reflects on the Opening of NYU Abu Dhabiâs Arab Center for the Study of Art
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E-03++ Fall/Winter 2021-22
DXB Art Dubai Digital, An Alternative Art World?
DXB Must-See Exhibitions in Dubai - Art Week Edition 2022
DXB Prepare The Ingredients and Let The Rest Flow: Miramar and Zaidâs âPure Dataâ Premieres at Satellite for Quoz Arts Fest 2022
TYO Akira Takayama on McDonaldâs Radio University, Heterotopia, and Wagner Project
AUH Woman as a Noun, and a Practice: âAs We Gaze Upon Herâ at Warehouse421
AAN The Labor of Art and the Art of Labor: Christopher Benton on His First Exhibition in Al Ain
IST âOnce Upon a Time Inconceivableâ: A Review and a Conversation
RUH Misk Art Instituteâs Annual Flagship Exhibition Explores the Universality of Identity
RUH HH Prince Fahad Al Saud Discusses Saudi Arabiaâs Artistic Renaissance
DXB Engage101 Presents âConnected, Collectedâ at Sothebyâs Dubai
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E-Issue 02 ââ NYC Spring 2021
- Editorâs Note
- Whatâs On in NYC
- Pop(Corn): Zeid Jaouni
- You Can Take The Girl Out Of The City
- Rapport: NYC
- Kindergarten Records Discuss The Future of Electronic Music
- Sole DXB Brings NY Hip-Hop To Abu Dhabi
- Wei Han Finds âHomeâ In New York
- Vikram Divecha: Encounters and Negotiations
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E-02++ Spring/Summer 2021
DXB âAfter The Beepâ: A Review and Some Reflections
OSA Rintaro Fuse Curates âSilent Categoryâ at Creative Center Osaka
AUH âTotal Landscapingâat Warehouse 421
TYO âMimicry of Hollowsâ Opens at The 5th Floor
TYO Startbahn, Japanâs Leading Art Blockchain Company, Builds a New Art Infrastructure for the Digital Age
DXB There Is A You In The Cloud You Canât Delete: A Review of âAge of Youâ at Jameel Arts Centre
BAH Mihrab: Mysticism, Devotion, and Geo-Identity
LDN Fulfilment Services Ltd. Questions Techno-Capitalism on Billboards in London
DXB Ana Escobar: Objects Revisited
TYO BIEN Opens Two Solo Exhibitions in Island Japan and Parcel
CTU/AUH/YYZ Sabrina Zhao: Between Abu Dhabi, Sichuan, and Toronto
RUH Noor Riyadh Shines Light on Saudi Arabiaâs 2030 Art Strategy
DXB A Riot Towards Landscapes
DXB A âMenu Poemâ and All That Follows
DXB Alserkal Art Week Top Picks
DXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art Foundation
AUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421
DXB Thereâs a Hurricane at the Foundry
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- Editorâs Note
- Whatâs On in the UAE
- Pop(Corn): Hashel Al Lamki
- Tailoring in Abu Dhabi
- Rapport: Dubai
- Michael Rakowitz From the Diaspora
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E-01++ Fall/Winter 2020-21
GRV MIA Anywhere Hosts First Virtual Exhibition of Female Chechen Artists
DXB Sa Tahanan Collective Redefines Home for Filipino Artists
SHJ Sharjah Art Foundation Jets Ahead on the Flying Saucer
AUH SEAF Cohort 7 at Warehouse 421
DXB 101 Strikes Again with Second Sale at Alserkal Avenue
DXB Spotlight on Dubai Design Week 2020
DXB Melehiâs Waves Complicate Waving Goodbye
DXB Kanye Says Listen to the Kids: Youth Takeover at Jameel Arts Centre
DAM Investigating the Catalogues of the National Museum of Damascus
AUH Ogamdo: Crossing a Cultural Highway between Korea and the UAE
TYO James Jarvis Presents Latest Collages at 3110NZ
DXB Do You See Me How I See You?
DXB Thaely Kicks Off Sustainable Sneakers
AUH BAIT 15 Welcomes New Member Zuhoor Al Sayegh
MIA a_part Gives Artists 36 Hours to React
UAE Tawahadna Introduces MENA Artists to a Global Community
LHR/CAI Alaa Hindiaâs Jewelry Revives Egyptian Nostalgia
DXB Taaboogah Infuses Comedy Into Khaleeji Menswear
DXB Meet Tamila Kochkarova Behind âNo Boys Allowedâ
DXB Alserkal Arts Foundation Presents Mohamed Melehi
AUH/DXB 101 Pioneers Ethical and Curious Art Collecting
AUH Sarah Almehairi Initiates Conversations
DXB Augustine Paredes Taking Up Space
LHR/MCT Hanan Sultan Rhymes Frankincense with Minimalism
BEY GAD Map: Arts & Culture Relief for Beirut
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4. Contributors
Global Art Daily Info ââ
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2. Archive
đď¸ Archive Year 2018
NYC Shirin Neshat In Conversation with Sophie Arni and Ev Zverev
PAR Hottest Spices: Michèle Lamy
BER Slavs and Tatars: âPulling a Thread to Undo The Sweaterâ
AUH Abu Dhabi Is The New Calabasas
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GAD Talk Series ââ Season 1 2020
1. What is GAD? 2015 to Now
2. Where is GAD? An Open Coversation on Migration as Art Practitioners
3. When the Youth Takes Over: Reflecting on the 2020 Jameel Arts Centre Youth Takeover
4. Young Curators in Tokyo: The Making of The 5th Floor
5. How To Create Digital Networks in The Art World?
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